The Upper Panes

Likely you were invited to the castle of Lord Dobswood on account of your occult knowledge, and reputation for laying ghosts to rest. No other explanation was given in the Viscount’s letter, but such is the usual reason for a Peer of the Realm to open their door to you. You have never actually met the man, but everyone knows about the tragic death of young Lady Dobswood, who died in her sleep five years into the marriage.

The lonely way to the castle wound through shadow-shrouded woods. You were glad that your valet sat armed with his blunderbuss alongside the coachmen, ready to deal with any highwaymen that should suddenly appear.

It was a gray morning, and now it is a gray afternoon. In the fields beyond the woods the wheat was just stubble, through which the October breeze blew. There was not a single smile to be seen as you passed through the village of Dobswood itself, not even on the youngest face.

The castle stands atop a bare crag, as the end of a narrow road that zig-zags back on itself as it gradually ascends. At the end of that path is a monstrous thing of long-ago centuries – a pile of towers and turrets from various eras, compacted together into a single crumbling mass. It stands like an insult of the benighted past toward the this enlightened age, the relic of times when rough knights rode with blood-stained hands. Your carriage pulls slowly up to the courtyard before the castle, where a weary footman in red livery is waiting.

Looking above the imposing front doors of weathered oak bound in rusted iron, you see the pale face of a young woman in a second-story window. She wears an expression of mingled sorrow and anger, and presses a pillow against the panes – anxiously, as if she needs for you to notice it.

“I find myself embarrassed,” you say to the footman as you exit the coach, “for I was unaware that the Viscount had a new wife.”

“There is no need for apologies,” he replies. “Since the untimely death of the Viscountess five summers past His Lordship has not remarried, nor has he even taken a mistress. Though His Lordship was always anxious for children, the Viscountess could not bear him any. Now there shall never be an heir to the estate, nor to His Lordship’s title.”

The Footman points a finger towards the now empty window where you previously saw the woman.

“She,” he says in a lowered voice verging on a whisper, “will not allow it.”

In Twain

The soil is wetter than you would like it to be, but the bodies here are not buried deep. For the money that the recently-arrived doctor promises, you would dig until morning. But you know you shall be done long before then.

Usually you are the one who locates the corpses you provide to your clients, who are happy enough just having some kind of flesh to dissect. But this time, the buyer directed you to the fresh grave of some unfortunate young man slain by his own vices. Why the doctor should want this man in particular you were never told. The doctor is, it seems, a foreigner – and could not possibly be personally acquainted with the target of your work. And with no marker on the grave besides a plain wooden cross, you cannot know the unfortunate’s name.

Now by the light of your lantern you can see that your shovel has cut a worm, its two halves wriggling away from each other. Though the soil is already disturbed and loosened, the moisture of this afternoon’s rain weighs it down. But you persevere and strike wood, just three feet below the surface.

You clear what muck and stones you can from the rickety pine box, and pry it open. You have ready the ropes you will need to slip around the body, to lift it from the grave.

The shroud enclosing the body is already torn. You figure it may be better to remove it altogether, and then bind the body directly.

You finish ripping at the shroud until you can see the corpse within. It is not naked, as you would expect. Its clothes are entirely familiar. But you resist screaming, at least until until the eyes open.

Those eyes you know best of all.

Your own eyes.

Mercy

All the other servants have been given their half-day off for Sunday, but you have been summoned to your mistress’ bedchamber before Mass. You are still new here, but you know that the Baroness disciplines unsatisfactory maids by her own hand. You tremble and hold back tears as you knock and open the door – even though you can think of no infraction you have committed.

Inside, the Baroness sits on her bed, still dressed in her white chemise. Her hair and makeup remain undone, but her flawless complexion is the envy of every other woman in the chateau. You have been told by the other maids that Madame is kind, and does not use a whip or birch, as she might. You know what to do next. You curtsy, bow your head, hike up your skirt, and approach to place yourself across her knees. She rises and stops you.

“No, mon chou, you have not done anything wrong,” she says softly, affectionately, and familiarly. “You are here because you have never done anything wrong.”

“I don’t understand, Madame,” you say. “What would you have me do?”

“You are going to help me be beautiful.”

It seems now that the Blessed Mother has answered your nightly prayers. “Yes, Madame,” you say excitedly, “I would like very much to become your new femme de chambre!” Dropping to your knees, you kiss the hem of the Baroness’ chemise, saying “Oh, thank you, thank you, thank you, Madame!”

The Baroness smiles, slightly. She sits back down on the bed, and pats the mattress to indicate you should sit next to her.

“I have heard that the other servants believe you are unhappy here, and may just run away one Sunday. As you know other young women have.”

“No, Madame, I would nev-” But she silences you with a single elegant finger to your lips.

You notice a tripod table by the bed. Atop it is an empty crystal bowl, such as might be used to wash in the morning. But the Baroness’ wash stand and bidet are in a far corner. Projecting from the nearest wall is a two-legged table, on which is a long-barreled pipe with a peculiar smell.

“Perhaps you would like to light and draw from that pipe. It is loaded with Turkish opium, and I find that it helps me accept those misfortunes I cannot avoid. You should be allowed such a mercy, too.”

“I am confused, Madame. What more comfort do I need, when you have made me so happy?”

The Baroness brushes her fingers softly across the side of your face, and says: “How sad for you that you have no family, and at nineteen are yet unmarried. You remain a virgin, I assume.”

“Of course, Madame!” you reply, as you notice the wavy-bladed dagger next to your mistress’s pillow.

“That is good,” says the Baroness. “Necessary, even.”

Refrain

Truly, you love Carlo. If it were not so, this horror would not be happening. Your Carlo always been more than a simple amusement to you, more than the ordinary cavaliere servente. The four of you – Carlo, yourself, your husband, and your husband’s Spanish mistress Flora – are the Venetian ideal. It was your husband that found your Carlo for you, and it is your husband’s money that supports him. You, in turn recommended Flora to your husband. Carlo, with his poetry – and beautiful Flora, with her sad, dark eyes. What happiness it has been: the four of you at the opera, gambling at the Ridotto, and then retiring to your bedchamber with Carlo afterward. And in the morning your husband would always inquire about your night with Carlo, as you ask after his with Flora.

As you wipe the blood from your face with the back of your hand, you think: “It should not have come to this.” But neither you, nor your husband, can stand such betrayal. And so you continue to stab your Carlo, as your husband stabs his Flora. From both side of the bed you bring your knives down upon the two below you, who are together guilty of indulging in the one forbidden thing. And when the sheets have turned from white to red, you approach and kiss your husband, like you have not done since your wedding day. Despite the blood now on his cheeks and mouth, you can see again how handsome he truly is. And with that kiss that tastes like metal, you remember why you consented to marry him in the first place.

“Perhaps we shall go to Dalmatia,” he says, as he wipes the tears from your eyes. “It is beautiful this time of year – filled with poets, and girls with sad, dark eyes.”

See also:
Mass Combat in Ghastly Affair Part I – Infantry Units
Mass Combat in Ghastly Affair Part II – Cavalry Units

Some Notes About 18^th Century and Napoleonic Artillery Units

Eighteenth century people were obsessed with hierarchies and social status, and this obsession extended to the battlefield. Of the three types of army units (Artillery Infantry, and Cavalry) Artillery was definitely the least respected. Before Napoleon (who began his own career as an Artillery officer) demonstrated the full capacity of properly utilized Artillery to determine the outcome of battles, Infantry and Cavalry officers tended to regard Artillery as just a tool for breaking down fortifications and degrading enemy forces before the “real” and honorable fighting occurred. Because Artillery Officers needed to have actual mathematical ability to accurately calculate distances and trajectories, they tended to hail from the education-minded middle class – unlike than the Infantry and Cavalry officers of most 18^th century armies, who usually had aristocratic origins, and simply purchased their commissions.

There were three types of Field Artillery pieces used in the 18^th century and Napoleonic era – Cannons, Mortars, and Howitzers.

• • Cannons were guns intended primarily for firing more or less directly at the target, at angles less than 45 degrees.

• • Mortars were guns intended for firing at angles steeper than 45 degrees.

• • Howitzers were guns capable of being fired at both shallow and steep angles.

Cannons and Howitzers were mounted on wheels, and hauled into place by a team of draft horses (typically about six, but as many as twelve) with the aid of two-wheeled carts called “limbars”. Mortars did not have wheels, but were loaded onto separate carts to be transported. A typical crew for each piece was six soldiers, with several additional engineers and support troops. In addition to its artillery pieces, an Artillery Unit would have additional horses, carts, and wagons transporting ordinance, bags of gunpowder, tools, and supplies for the crew.

There were four main types of projectiles fired by Field Artillery – Cannonballs (also called “round shot”), Grapeshot (many small iron balls enclosed in a bag), Canister (many large bullets packed in a metal can, like a giant shotgun shell), and Explosive Shells (hollow, gunpowder-filled iron balls with fuses).

• • A typical battlefield Cannonball was made of cast iron. It had a range of up to 4,500 feet when fired in an arc, and 1,500 feet when fired directly. Cannonballs could be fired over the heads of friendly Units to hit distant targets. They can also be put in a furnace to produced Heated Shot.

• • Grapeshot was effective up to 2,000 feet, but must be fired directly at the target. It cannot be fired over the heads of friendly units without hitting them.

• • Canister was effective up to 1,000 feet, and is usually loaded when Artillery Units are about to be directly engaged by Infantry or Cavalry. Like Grapeshot, it could only be fired straight ahead, and could not be arced over the heads of friendly units. A Canister-like shot could be improvised by loading the cannon with things like nails, forks, knives, and broken metal plates – this was called “Scrapshot”.

• • Explosive Shells (or “Bombs”) could be fired in arcs at targets between 500 and 4,500 feet distant. In many ways, they combined the best features of Cannonballs and Grapeshot. Unfortunately, they were also dangerously unreliable. Explosive Shells are usually shot from Howitzers and Mortars.

By the late 18^th century it was typical for the bag of powder that propelled a projectile to be affixed to it in a pre-made “cartridge”, making cannons much easier to operate than they had been in previous centuries.

Cannons were historically rated according to the weight of the Cannonballs they fired. The typical field Cannons of the 18^th Century and Napoleonic Age were therefore referred to to as “8 Pound” or “9 Pound” guns, but both lighter and heavier ones were used. Mortars and Howitzers, on the other hand, were usually classified by their caliber – an 8 pound cannon corresponded to a 4 inch howitzer or mortar. Because it needed to be transportable, Field Artillery tended to be much smaller than the Naval Artillery mounted aboard ships.

As with Infantry units, there was always be a Drummer attached to an Artillery unit – to communicate orders, and maintain morale.

ARTILLERY BATTERY

8 to 12 guns, manned by 80 to 120 soldiers, and firing as a unit.

Creature Class: Antagonist
Number Appearing: 1 – 6
Initial Impression: Approximately eight large artillery pieces, manned by about a hundred soldiers. Sixty or more horses are nearby, along with various carts. The sound of drums can be heard.
Size: Large (100’ x 100’ square)

Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Captain) Intelligence: 11 Wisdom: 9
Strength: 5,400 Dexterity: 9 Constitution: 9
Speed: 9 hauled, 3 maneuvering on the battlefield

Armor Class: None
Hit Dice: 50
Attacks: 1 (cannon barrage for 4d6+50 damage)
Special Abilities: Attack with Intelligence, Break Unit Formations, Dissolve Into Squads, Ignore Personal Armor, Multiple Targets, Point-blank Canister Shot, Target Structures
Weaknesses: Cannon Smoke, Explosive Shell Misfire, Ten Round Reload
Possible Assets (+3 Bonus): Brilliant Commander, Seasoned Troops.
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished.
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)

Level: 10

The Battery is the basic tactical unit of Field Artillery, and is commanded by a Captain. It will usually fire all of its guns in a simultaneous “barrage”.

An Artillery Battery reduced to 0 Hit Points breaks up into 2 Artillery Squads of 2 guns each. If the Battery was broken by an enemy Artillery Unit (or such things as Fireballs, Lightning Bolts, or a Dragon’s breath) the remaining guns are destroyed. If the Artillery Battery had been broken by an Infantry or Cavalry unit, then the abandoned guns (numbering from four to eight) can be captured.

Artillery Battery Special Abilities

Attack with Intelligence: Because accurately aiming Field Artillery is a matter of applied mathematics, an Artillery Units makes Attack Checks using Intelligence rather than Dexterity.

Break Unit Formations: A successful attack with Grapeshot, Canister, or Explosive Shell by an Artillery Battery forces a targeted Military Unit to immediately Check Morale. Failure means the unit immediately stops any forward movement, and devolves into a Skirmish Line (if not in that formation already).

Dissolve Into Squads: An Artillery Battery can be broken up into 4 to 6 Artillery Squads with two guns apiece. This could be done to more effectively place the guns, or for the pieces to fire in a staggered manner (rather than as a simultaneous barrage).

Heated Shot: Heated Shot consists of Cannonballs heated in a portable furnace until red hot. A successful attack does normal damage, but any inflammable structure (such as a palisade wall or sailing ship) struck is also set on fire. It takes 2 Turns (20 minutes) to prepare a barrage of Heated Shot.

Ignore Armor: An Artillery Battery can ignore any Armor Class a target enjoys due to wearing personal armor such as a breastplate or helmet – or from having tough skin or scales.

• • For example, a unit of heavy Cuirasseur cavalry in the open are AC 0 (None) when targeted by an Artillery Battery.

• • Similarly, a Dragon targeted by an Artillery Battery is AC 0 (none), rather than 10. Hence the extreme rarity of Dragons after the Middle Ages!

• • Note that an Artillery Battery can target just the defenders within (or behind) a structure using Grapeshot, Canister, or arced Cannonballs, without attempting to destroy the structure itself.

Multiple Targets: The Battery can attack multiple targets or units instead of firing one massive barrage at single enemy. The Battery makes a normal Check for each attack, but its total Damage Bonus is divided among its targets. For example:

Point-blank Canister Shot: If an Artillery Battery fires Canister at a target within 300 feet directly in front of it and not obscured by Cover (such trees or walls), then the Battery will automatically inflict full damage (4d6+50) without needing to make an Attack Check. Additionally, any surviving target that fails a Morale Check will flee in disorder.

Target Structures: When firing Cannonballs, Heated Shot, or Explosive Shells an Artillery Battery can inflict full hit point damage against structures of stone, wood and brick not usually affected by lead bullets or normal hand-to-hand weapons (such as sabers). If Heated Shot or Explosive Shells are used, inflammable structures are also set on fire.

If an attack against a structure succeeds, the Artillery Battery then rolls another Attack Check for each target inside (or behind) the structure. The Check is made with Penalty equal to the Cover granted by the structure. If the Check(s) succeed(s), each target suffers the same hit point damage as the structure.

Note that an Artillery Battery can use Grapeshot or Canister to target just the defenders within (or behind) a structure, without attempting to destroy the structure itself with Cannonballs, Heated Shot or Explosive Shells.

Artillery Battery Weaknesses

Cannon Smoke: After firing its first barrage, an Artillery Battery suffers a -2 Penalty on further attacks, but also enjoys a +2 on its Armor Class. This is due to a large cloud of smoke enveloping the Unit and obscuring sight. This Cannon Smoke will last until the Battery spends a full Turn not firing its guns, or moves 50’ from its current position.

Explosive Shell Misfire: For every barrage with Explosive Shells there is 1 in 20 chance of an explosive misfire, inflicting 6d6 damage on the Unit and destroying the gun.

Ten Round Reload: Field Artillery takes 10 Rounds to reload and sight, during which time the Artillery Battery has no effective attack.

ARTILLERY SQUAD

2 guns, manned by 16 to 20 soldiers.

Creature Class: Antagonist
Number Appearing: 1 – 4
Initial Impression: A pair of large artillery pieces, manned by well over a dozen soldiers. A dozen or more horses are nearby, along with various carts. The sound of drums can be heard.
Size: Large (20’ x 20’ square)

Perversity: 13
Disposition: Aggressive
Charisma: 11 Intelligence: 11 Wisdom: 9
Strength: 1,080 Dexterity: 11 Constitution: 9
Speed: 9 hauled, 3 maneuvering on the battlefield

Armor Class: None
Hit Dice: 12
Attacks: 1 (cannon barrage for 4d6+12 damage)
Special Abilities: Attack with Intelligence, Break Unit Formations, Ignore Personal Armor, Point-blank Canister Shot, Target Structures
Weaknesses: Cannon Smoke, Explosive Shell Misfire, Ten Round Reload
Possible Assets (+3 Bonus): Brilliant Commander, Seasoned Troops.
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished.

Level: 10

The Squad is the smallest unit of Field Artillery, and is commanded by a Lieutenant. Both guns will usually fire in a simultaneous “barrage”.

An Artillery Squad reduced to 0 Hit Points becomes a single cannon, a crew of 6 to 8 soldiers, and a team of 4 to 6 draft horses.

Artillery Squad Special Abilities

Attack with Intelligence: Because accurately aiming Field Artillery is a matter of applied mathematics, an Artillery Units makes Attack Checks using Intelligence rather than Dexterity.

Break Unit Formations: A successful attack with Grapeshot, Canister, or Explosive Shell by an Artillery Squad forces a targeted Military Unit to immediately Check Morale. Failure means the unit immediately stops any forward movement, and devolves into a Skirmish Line (if not in that formation already).

Heated Shot: Heated Shot consists of Cannonballs heated in a portable furnace until red hot. A successful attack does normal damage, but any inflammable structure (such as a palisade wall or sailing ship) struck is also set on fire. It takes 2 Turns (20 minutes) to prepare a barrage of Heated Shot.

Ignore Armor: An Artillery Squad can ignore any Armor Class a target enjoys due to wearing personal armor such as a breastplate or helmet – or from having tough skin or scales.

• • Note that an Artillery Squad can target just the defenders within (or behind) a structure using Grapeshot, Canister, or arced Cannonballs, without attempting to destroy the structure itself.

Point-blank Canister Shot: If an Artillery Squad fires Canister at a target within 300 feet directly in front of it and not obscured by Cover (such trees or walls), then the Squad will automatically inflict full damage (4d6+50) without needing to make an Attack Check. Additionally, any surviving target that fails a Morale Check will flee in disorder.

Target Structures: When firing Cannonballs, Heated Shot, or Explosive Shells an Artillery Squad can inflict full hit point damage against structures of stone, wood and brick not usually affected by lead bullets or normal hand-to-hand weapons (such as sabers). If Heated Shot or Explosive Shells are used, inflammable structures are also set on fire.

If an attack against a structure succeeds, the Artillery Squad then rolls another Attack Check for each target inside (or behind) the structure. The Check is made with Penalty equal to the Cover granted by the structure. If the Check(s) succeed(s), each target suffers the same hit point damage as the structure.

Note that an Artillery Squad can use Grapeshot or Canister to target just the defenders within (or behind) a structure, without attempting to destroy the structure itself with Cannonballs, Heated Shot or Explosive Shells.

Artillery Squad Weaknesses

Cannon Smoke: After firing its first barrage, an Artillery Squad suffers a -2 Penalty on further attacks, but also enjoys a +2 on its Armor Class. This is due to a large cloud of smoke enveloping the Unit and obscuring sight. This Cannon Smoke will last until the Squad spends a full Turn not firing its guns, or moves 50’ from its current position.

Explosive Shell Misfire: For every barrage with Explosive Shells there is 1 in 20 chance of an explosive misfire, inflicting 6d6 damage on the Unit and destroying the gun.

Ten Round Reload: Field Artillery takes 10 Rounds to reload and sight, during which time the Artillery Squad has no effective attack.

SPECIALIZED ARTILLERY

Light Artillery: These units use 4 and 6 Pound guns that do less damage (3d6+Damage Bonus), but can be maneuvered into position more quickly (Speed 5 rather than 3 on the battlefield).

Heavy Artillery: These units use 12 pound guns that do more damage (5d6 + Damage Bonus), but are are even slower to maneuver on the battlefield (Speed 2 rather than 3 on the battlefield).

Horse Artillery: These units use more horses (twelve or more per piece) and lighter guns that are specially destined for rapid deployment. Horse Artillery inflicts 2d6+Damage Bonus on a successful Attack. It moves at Speed 9 (both while being hauled and on the battlefield). Horse Artillery is naturally much more expensive to operate than ordinary Field Artillery.

Siege Artillery: These units use massive 24 to 36 pound guns that inflict 10d6+Damage Bonus. Siege Artillery is extremely slow and unwieldy, however, moving at Speed 6 when being hauled, and Speed 1 when maneuvering on the battlefield. Such large guns are seldom encountered on 18^th century and Napoleonic battlefields, by that time being used mostly on ships and for coastal defense.

Rockets: These cutting-edge weapons were adapted by the British from examples used by the forces of Tipu Sultan in India. A barrage of Rockets is similar to one of Exploding Shells – inflicting 4d6+Damage Bonus to a target, and setting fire to inflammable structures. They can also be used to Break Unit Formations. Rockets have a long range of 10,000 feet, and a barrage can be fired once every other Round. Unfortunately, they are inaccurate (-2 on Attack Checks), and there is also a 1 in 20 chance per barrage that one of the rockets will explode before liftoff, inflicting 6d6 damage to its Unit.

TARGETING BONUSES AND PENALTIES FOR ARTILLERY UNITS

Target is moving: -2

Target is Military Unit in Line or Wedge formation: +2

Target is in Military Unit in Skirmish Line: -2

OPTIONAL ENVIRONMENTAL MODIFIERS

Remember, all modifiers in Ghastly Affair “stack”, so it is very possible to get into a situation where it’s nearly impossible for a military unit to fight effectively at all. For example, a company of ordinary infantry trying to attack hand-to-hand uphill, on muddy ground, in the rain, with high winds, suffers a total Penalty to their Attack Check of -8. The have to roll under a 3 to inflict any significant damage on the defending unit occupying the high ground.

HIT POINTS AND COVER OF TYPICAL STRUCTURES AND FORMATIONS

Structures grant full cover as long as they have half or more of their hit points. After that they grant only ½ their usual cover. Completely destroyed structures count as “Wreckage and Rubble”, and grant only a +2 to AC.

See also: Mass Combat in Ghastly Affair Part I – Infantry Units

Some Notes on 18^th Century and Napoleonic Cavalry

The typical Cavalry of the 18^th Century and Napoleonic era were called either “Dragoons” or “Carabiniers”. In earlier centuries the term “Dragoon” had referred to Infantry units that rode into battle but dismounted to fight, but had come to designate general-purpose or (“Line”) Cavalry capable of fighting both in open and close formations. The term “Carabinier” on the other hand, made reference to the short-barreled musket (carbine) that was the main artillery weapon of most Cavalry units. Other, more specialized types of Cavalry included “Hussars” (light raiding units that wore Hungarian-inspired uniforms and mustaches), “Lancers” (which carried long lances that made their charges especially formidable) and Cuirassiers (heavy units who wore steel breastplates and helmets). Whatever his designation and primary weapon, every cavalryman also carried a pistol, and some kind of sword or saber for hand-to-hand combat

Serving in (or officering) a cavalry unit was considered much more prestigious (and romantic) than service in an infantry (or artillery) unit. Because they frequently had to provide their own horses and pay for their own training, cavalry tended to be drawn from higher up the social scale than the infantry. Cavalry officers had an especial reputation for arrogance and imperiousness, which was particularly notable among “Hussar” units. Besides the overall unit commander, every Cavalry unit had a Bugler or Trumpeter, who communicated orders and help maintain morale by playing their horn. A minor officer called a “Cornet” (comparable to the Ensign of an Infantry unit) carried the flag or banner of the unit. Often, the Cornet also assumed the duties of the Trumpeter.

Not only would the soldiers in a unit wear a distinctive uniform, but it was also common for all the horses in a Cavalry unit to be the same breed – and often, the same color.

CAVALRY COMPANY

60 to 120 soldiers mounted on horses and acting as a unit.

Creature Class: Antagonist
Number Appearing: 1 – 3
Initial Impression: About a hundred mounted soldiers in uniform, accompanied by occasional blasts from a bugle.

Size: Large (150’ x 20’ in Line, 60’ x 60’ in Wedge, 150’ x 100’ in Skirmish Line)
Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Captain) Intelligence: 9 Wisdom: 9
Strength: 7,200 Dexterity: 11 Constitution: 9
Speed: 12

Armor Class: None
Hit Dice: 30
Attacks: 1 (carbines and pistols; or sabers, lances, pistols, and trampling) [½ Damage when in Wedge or Skirmish Line]
Special Abilities: Dissolve into Troops, Charge, Form Line, Form Wedge, Form Skirmish Line, Immune to Single Target Magic, Multiple Attacks, Trample Infantry.
Weaknesses: Gun Smoke, Pistol and Carbine Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical.
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished.
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)

Level: 10

An 18^th Century Cavalry Company is approximately 100 mounted men commanded by a Captain. Two Companies joined together form a Cavalry Squadron.

A Cavalry Company reduced to 0 Hit Points becomes two Cavalry Troops in Skirmish Line formation. A 300’ diameter area around the center point where the Company broke will be filled with dead horses, slain men, and scattered equipment. All movement through that area is at half Speed, it cannot be Charged through, and any other Military Units within that area (other than Infantry in Square) are forced into Skirmish Line formation.

Cavalry Company Special Abilities.

Charge: If a Cavalry Company in Line or Wedge formation gallops at full speed towards a target or unit for at least one full Round, the Company does double damage (1d6 +Damage Bonus, times 2) on its first Round of hand-to-hand combat (except against an Infantry unit in Square formation). The Company can make no attacks during the Round(s) spent galloping towards its target, however.

Dissolve into Troops. A Company can be broken up into 4 or 5 independent Cavalry Troops.

Form Line: A Line is a wide formation of horses in two rows, nearly shoulder to shoulder. A Company in a Line inflicts full 1d6+30 damage on each attack. It takes 10 Rounds to Form a Line.

Form Wedge: A Wedge is a triangular formation of horses attacking with its apex pointed at its opponent. A Cavalry unit in Wedge formation does only half damage on a successful attack, but any defending Infantry Units in Line or Column must immediately check Morale or involuntarily devolve into a Skirmish Line (and allow the Cavalry to ride through them it if wants). It takes 10 Rounds to form a Wedge.

Form Skirmish Line: A Skirmish Line is an irregular and open formation that allows horses maximum freedom of movement, and makes the unit harder to target with cannons. A unit in Skirmish Line can also occupy the same area as an opponent. However, a Company in a Skirmish Line only inflicts half damage on a successful attack. It takes 3 Rounds to deliberately Form a Skirmish Line from any other formation.

Immune to Single Target Magic: Because a Cavalry Company is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Company can attack multiple targets or units instead of concentrating on a single one. The Company makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Trample Infantry: A Cavalry Company does double damage (1d6 + Damage Bonus, times 2) when engaged in hand-to-hand combat against Infantry units (except those in Square formation).

Cavalry Company Weaknesses

Gun Smoke: After its first volley of pistol or carbine fire, a Company in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Company spends a full Turn not firing its guns, or moves 50’ from its current position.

Pistol and Carbine Inaccuracy: Almost all Cavalry units are –2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore pistols and carbines. Furthermore, smooth-bore pistols are completely inaccurate past 225 feet, and carbines past 350 feet.

CAVALRY PATROL

10 to 20 soldiers mounted on horses and acting as a unit.

Creature Class: Antagonist
Number Appearing: 1
Initial Impression: About a dozen mounted soldiers in uniform, accompanied by occasional blasts from a bugle.
Size: Large (20’ x 20’ in Line, 20’ x 20’ in Wedge, 50’ x 30’ in Skirmish Line)

Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Sergeant) Intelligence: 9 Wisdom: 9
Strength: 1,200 Dexterity: 11 Constitution: 9
Speed: 12

Armor Class: None
Hit Dice: 6
Attacks: 1 (carbines and pistols; or sabers, lances, pistols, and trampling) [½ Damage when in Wedge or Skirmish Line]
Special Abilities: Dissolve into Troops, Charge, Form Line, Form Skirmish Line, Multiple Attacks, Trample Infantry.
Weaknesses: Gun Smoke, Pistol and Carbine Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical.
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished.
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit).

Level: 6

A Cavalry Patrol is the smallest unit of Cavalry, typically encountered while performing reconnaissance for a larger unit. Typically it consists of about a dozen cavalrymen commanded by either a junior Lieutenant, or a Sergeant.

A Cavalry Patrol reduced to 0 Hit Points breaks up into 5 or 6 mounted individuals. A 40’ diameter area around the center point where the Patrol broke will be filled with dead horses, slain men, and scattered equipment. All movement through that area is at half Speed, it cannot be Charged through, and any other Military Units within that area (other than Infantry in Square) are forced into Skirmish Line formation.

Cavalry Patrol Special Abilities.

Charge: If a Cavalry Patrol in Line or Wedge formation gallops at full speed towards a target or unit for at least one full Round, the Patrol does double damage (1d6 +Damage Bonus, times 2) on its first Round of hand-to-hand combat (except against an Infantry unit in Square formation). The Patrol can make no attacks during the Round(s) spent galloping towards its target, however.

Dissolve Unit: A Patrol can be broken up into individual cavalrymen and horses.

Form Line: A Line is a wide formation of horses in two rows, nearly shoulder to shoulder. A Patrol in a Line inflicts full 1d6+6 damage on each attack. It takes 10 Rounds to Form a Line.

Form Skirmish Line: A Skirmish Line is an irregular and open formation that allows horses maximum freedom of movement, and makes the unit harder to target with cannons. A unit in Skirmish Line can also occupy the same area as an opponent. However, a Patrol in a Skirmish Line only inflicts half damage on a successful attack. It takes 3 Rounds to deliberately Form a Skirmish Line from any other formation.

Immune to Single Target Magic: Because a Cavalry Patrol is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Patrol can attack up to 4 targets or units instead of concentrating on a single one. The Patrol makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Trample Infantry: A Cavalry Patrol does double damage (1d6 + Damage Bonus, times 2) when engaged in hand-to-hand combat against Infantry units (except those in Square formation).

Cavalry Patrol Weaknesses

Gun Smoke: After its first volley of pistol or carbine fire, a Patrol in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Patrol spends a full Turn not firing its guns, or moves 50’ from its current position.

Pistol and Carbine Inaccuracy: Almost all Cavalry units are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore pistols and carbines. Furthermore, smooth-bore pistols are completely inaccurate past 225 feet, and carbines past 350 feet.

CAVALRY SQUADRON

120 to 240 soldiers mounted on horses and acting as a unit.

Creature Class: Antagonist
Number Appearing: 1 – 3
Initial Impression: About two hundred mounted soldiers in uniform, accompanied by occasional blasts from a bugle.
Size: Large (300’ x 20’ in Line, 80’ x 80’ in Wedge, 300’ x 100’ in Skirmish Line)

Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Lieutenant Colonel) Intelligence: 9 Wisdom: 9
Strength: 14,400 Dexterity: 11 Constitution: 9
Speed: 12

Armor Class: None
Hit Dice: 60
Attacks: 1 (carbines and pistols; or sabers, lances, pistols, and trampling) [½ Damage when in Wedge or Skirmish Line]
Special Abilities: Dissolve into Companies, Charge, Form Line, Form Wedge, Form Skirmish Line, Multiple Attacks, Trample Infantry.
Weaknesses: Gun Smoke, Pistol and Carbine Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical.
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished.
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)

Level: 10

A Squadron of Cavalry is commanded by a Lieutenant Colonel, Major, or Chef d’Escadron. Two Squadrons make a full Cavalry Regiment, commanded by a Colonel.

A Cavalry Squadron reduced to 0 Hit Points becomes a Cavalry Company in Skirmish Line formation. A 500’ diameter area around the center point where the Squadron broke will be filled with dead horses, slain men, and scattered equipment. All movement through that area is at half Speed, it cannot be Charged through, and any other Military Units within that area (other than Infantry in Square) are forced into Skirmish Line formation.

Cavalry Squadron Special Abilities

Charge: If a Cavalry Squadron in Line or Wedge formation gallops at full speed towards a target or unit for at least one full Round, the Squadron does double damage (1d6 +Damage Bonus, times 2) on its first Round of hand-to-hand combat (except against an Infantry unit in Square formation). The Squadron can make no attacks during the Round(s) spent galloping towards its target, however.

Dissolve into Companies. A Squadron can be broken up into 2 independent Cavalry Companies.

Form Line: A Line is a wide formation of horses in two rows, nearly shoulder to shoulder. A Squadron in a Line inflicts full 1d6+60 damage on each attack. It takes 10 Rounds to Form a Line.

Form Wedge: A Wedge is a triangular formation of horses attacking with its apex pointed at its opponent. A Cavalry unit in Wedge formation does only half damage on a successful attack, but any defending Infantry Units in Line or Column must immediately check Morale or involuntarily devolve into a Skirmish Line (and allow the Cavalry to ride through them it if wants). It takes 10 Rounds to form a Wedge.

Form Skirmish Line: A Skirmish Line is an irregular and open formation that allows horses maximum freedom of movement, and makes the unit harder to target with cannons. A unit in Skirmish Line can also occupy the same area as an opponent. However, a Squadron in a Skirmish Line only inflicts half damage on a successful attack. It takes 3 Rounds to deliberately Form a Skirmish Line from any other formation.

Immune to Single Target Magic: Because a Cavalry Squadron is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Squadron can attack multiple targets or units instead of concentrating on a single one. The Squadron makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Trample Infantry: A Cavalry Squadron does double damage (1d6 + Damage Bonus, times 2) when engaged in hand-to-hand combat against Infantry units (except those in Square formation).

Cavalry Squadron Weaknesses

Gun Smoke: After its first volley of pistol or carbine fire, a Squadron in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Squadron spends a full Turn not firing its guns, or moves 50’ from its current position.

Pistol and Carbine Inaccuracy: Almost all Cavalry units are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore pistols and carbines. Furthermore, smooth-bore pistols are completely inaccurate past 225 feet, and carbines past 350 feet.

CAVALRY TROOP

20 to 40 soldiers mounted on horses and acting as a unit.

Creature Class: Antagonist
Number Appearing: 1 or 2
Initial Impression: Approximately thirty mounted soldiers in uniform, accompanied by occasional blasts from a bugle.
Size: Large (45’ x 20’ in Line, 30’ x 30’ in Wedge, 80’ x 40’ in Skirmish Line)

Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Lieutenant or Sergeant) Intelligence: 9 Wisdom: 9
Strength: 2,400 Dexterity: 11 Constitution: 9
Speed: 12

Armor Class: None
Hit Dice: 10
Attacks: 1 (carbines and pistols; or sabers, lances, pistols, and trampling) [½ Damage when in Wedge or Skirmish Line]
Special Abilities: Dissolve into Troops, Charge, Form Line, Form Wedge, Form Skirmish Line, Multiple Attacks, Trample Infantry.
Weaknesses: Gun Smoke, Pistol and Carbine Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical.
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished.
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit).

Level: 10

A Cavalry Troop is approximately 30 mounted men generally commanded by either a Lieutenant or a Sergeant.

A Cavalry Troop reduced to 0 Hit Points becomes a Cavalry Patrol in Skirmish Line formation. A 60’ diameter area around the center point where the Troop broke will be filled with dead horses, slain men, and scattered equipment. All movement through that area is at half Speed, it cannot be Charged through, and any other Military Units within that area (other than Infantry in Square) are forced into Skirmish Line formation.

Cavalry Troop Special Abilities

Charge: If a Cavalry Troop in Line or Wedge formation gallops at full speed towards a target or unit for at least one full Round, the Troop does double damage (1d6 +Damage Bonus, times 2) on its first Round of hand-to-hand combat (except against an Infantry unit in Square formation). The Troop can make no attacks during the Round(s) spent galloping towards its target, however.

Dissolve into Patrols. A Troop can be broken up into 3 independent Cavalry Patrols.

Form Line: A Line is a wide formation of horses in two rows, nearly shoulder to shoulder. A Troop in a Line inflicts full 1d6+10 damage on each attack. It takes 10 Rounds to Form a Line.

Form Wedge: A Wedge is a triangular formation of horses attacking with its apex pointed at its opponent. A Cavalry unit in Wedge formation does only half damage on a successful attack, but any defending Infantry Units in Line or Column must immediately check Morale or involuntarily devolve into a Skirmish Line (and allow the Cavalry to ride through them it if wants). It takes 10 Rounds to form a Wedge.

Form Skirmish Line: A Skirmish Line is an irregular and open formation that allows horses maximum freedom of movement, and makes the unit harder to target with cannons. A unit in Skirmish Line can also occupy the same area as an opponent. However, a Troop in a Skirmish Line only inflicts half damage on a successful attack. It takes 3 Rounds to deliberately Form a Skirmish Line from any other formation.

Immune to Single Target Magic: Because a Cavalry Troop is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Troop can attack up to 4 targets or units instead of concentrating on a single one. The Troop makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Trample Infantry: A Cavalry Troop does double damage (1d6 + Damage Bonus, times 2) when engaged in hand-to-hand combat against Infantry units (except those in Square formation).

Cavalry Troop Weaknesses

Gun Smoke: After its first volley of pistol or carbine fire, a Troop in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Troop spends a full Turn not firing its guns, or moves 50’ from its current position.

Pistol and Carbine Inaccuracy: Almost all Cavalry units are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore pistols and carbines. Furthermore, smooth-bore pistols are completely inaccurate past 225 feet, and carbines past 350 feet.

Specialized Cavalry Units

Cuirassiers: These heavy unit wear steel breastplates and helmets that give them Armor Class 5. However, they are slower than other units, moving at Speed 11, rather than 12.

Chasseurs: These light units are faster than others, moving at Speed 13. They are often used for reconnaissance, or to harry supply lines.

Cossacks: These Russian units are especially brave and hardy, having Constitution scores of 11 (rather than 9), and the Asset “High Morale”. However, they have the Weakness “Hard to Control”, so all attempts to issue battlefield orders to Cossacks incur a -3 Penalty on the Charisma Check.

Hussars: These elite units ride especially fast horses, wear faux Hungarian costumes, and sport long mustaches. They move at Speed 13, and have the Asset “High Morale”, conferring a +3 Bonus on all Morale Checks. The culture of Hussar units actually encourages them to plunder and commit atrocities against civilians, however, so they have Perversity 14 rather than 13.

Lancers / Ulans/ Uhlans: These units carry long lances, which are typically embellished with colorful pennants. For the first Round of Hand-to-hand fighting after a Charge, Lancers automatically win Initiative, and receive a +1 Bonus on their Attack Check. German Lancers are called “Ulans”, while the famous Polish lancers are “Uhlans” (with an “h”).

Mameluks: These Egyptian mercenaries are especially skilled with their sabers, enjoying a +1 Bonus when engaged in Hand-to-Hand fights.

The lack of Mass Combat rules in Ghastly Affair might seem glaring in light of its default setting, the era of the French Revolution and Napoleon. What follows is an attempt to rectify that omission. It makes possible scenarios such as a Company of British infantry cut off from its Regiment and facing down revenants in the Tabernas Desert during the Peninsular War, or a Troop of French cavalry from the Grande Armée attempting to flee Russia while threatened by werewolves and General Winter alike.

The tentative method of mass combat here presented is to treat whole military units (Battalions, Companies, etc.) as single beings (much as Ghastly Affair does with Angry Mobs). Fights involving military units therefore use exactly the same rules as those involving individual adversaries – including determining Initiative , and checking Morale at appropriate times. In general, units with more members should have higher Hit Points than those with fewer, but a relatively underpopulated unit might have high HP on account of its good health, or exceptionally thorough training.

There is, of course, a great deal of abstraction assumed in the presentation. The composition of military units could, of course, vary greatly from nation to nation – and even in the same nation across the assumed time period of 1765 to 1820. This is particularly true in the case of France, where the semi-private pre-Revolutionary army was very different from the fully nationalized military commanded by Napoleon. Therefore, the treatment of units that follows is fairly generic – good enough to figure out what happens when an Infantry Platoon faces off against a family of crazed cannibals, or a Battalion battles a dragon that has been slumbering for centuries, but admittedly inadequate for realistically recreating Waterloo. Doubtless, any experienced war-gamer could probably find innumerable faults with my presentation of 18^th century military units and tactics as it relates to any specific historical military unit.

An Overview of 18^th Century and Napoleonic Infantry

The ordinary rank and file infantry of the 18^th Century were often called “Fusiliers”, especially in the French army of the late 18^th century and Napoleonic era. They are typically armed with a smooth-bore musket, a bayonet, and possibly a straight-bladed sword (although in many units only officers carry swords). Each Infantryman carries his own bedroll; a canteen; and a supply of black powder, wadding, and bullets. Spare clothing and personal items (such as a shaving kit and playing cards) are carried in a backpack. The uniforms of ordinary Infantrymen are colorful because 18^th century battlefields are blanketed with obscuring gun smoke, and drab clothing will inevitably result in friendly units firing on each other frequently. Before the French Revolution, most Infantry units wore tricorn hats. In the Napoleonic-era, this changed to the cylindrical “shako” hat, usually embellished with a plume.

Specialized infantry units include “Grenadiers” (prestigious heavy infantry armed with grenades), “Chasseurs” (light infantry who march ahead of other units), and “Sappers” (demolitions experts).

On the battlefield, it is usual for only half the members of an infantry unit to fire their muskets at a time. This allows the other half time to reload their single-shot guns.

Infantry officers are distinguished by their more elaborate uniforms (which they often have made for themselves at their own expense), and different headgear (often a bicorn hat rather than a tricorn or shako). Sergeants carry spontoons (wide-bladed spears), which they use for signaling, to correct the aim of line soldiers, and as a weapon in hand-to-hand combat. A minor officer called an “Ensign” is in charge of protecting the unit’s flag or standard. Besides the ordinary men and officers, units larger than a squad will also have a drummer and fifer (flute-player), who help to keep time in marches, convey orders on the battlefield, and keep up morale. The drummer may be a boy, but is usually just a young enlisted soldier.

It was common in the 18^th century for Infantry (and Cavalry) units to be raised, trained, and equipped not by the national government, but by individual noblemen. The nobleman who raised the unit would then either command it himself, or give command to his son. It is very common for units to be comprised of foreigners and other people who first loyalty is to their commander and fellow soldiers, rather than the sovereign of the nation they nominally serve. Other units may be composed of forcibly conscripted or “impressed” men who would, if any real opportunity presented itself, either desert, or mutiny and become brigands. Such conscripted men are likely take out their frustration at their predicament by committing atrocities against civilian populations.

Military units more than a day’s march from a fort are almost always accompanied by numerous “camp followers” – private food merchants, cooks, entertainers, seamstresses, washerwomen, nurses, and prostitutes who provide much of the actual logistical support for the army. Among the camp followers will also be the wives and children of soldiers, who are (unless they are the commanding officer’s family) expected to help with cooking, washing, cleaning, and repairs. There can be as many camp followers as there as soldiers in the unit.

INFANTRY BATTALION

360 to 720 soldiers on foot, acting as a unit.

Creature Class: Antagonist
Number Appearing: 1 – 4
Initial Impression: Several hundred armed and uniformed men, marching to the sounds of drums and flute.
Size: Large (500’ x 10’ in Line, 10’ x 500’ in Column, 60’ x 60’ in Square, 500’ x 50’ in Skirmish Line)
Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Lieutenant Colonel) Intelligence: 9 Wisdom: 9
Strength: 5,400 Dexterity: 11 Constitution: 9
Speed: 6 in Line, 9 in Column, 3 in Square, 9 in Skirmish Line
Armor Class: None (+2 if wreathed in Gun Smoke, +2 if in Skirmish Line)
Hit Dice: 150
Attacks: 1 (musket volley; or muskets, bayonets, and swords) [½ Damage when in Column, Square or Skirmish Line]
Special Abilities: Dissolve into Companies, Form Column, Form Line, Form Square, Form Skirmish Line, Immune to Single Target Magic, Multiple Attacks, Set Bayonets Against Charge.
Weaknesses: Gun Smoke, Musket Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)
Level: 10

An 18^th Century Infantry Battalion consists of 5 or 6 Companies of Soldiers, generally commanded by an officer with the title of Lieutenant Colonel, Chef de Batallion, or Major.

Two Infantry Battalions together form an Infantry Regiment commanded by a Colonel.

An Infantry Battalion reduced to 0 Hit Points devolves into three surviving Infantry Companies. The Presenter should assume that half the casualties suffered by the formerly intact Battalion are dead, and half are wounded to the point of incapacity.

Infantry Battalion Special Abilities

Dissolve into Companies: An Infantry Battalion can be dissolved into 5 or 6 Infantry Companies of 60 to 120 soldiers, each commanded by a Captain. This might be done in order to encircle an enemy, for example. It takes 10 Rounds to Dissolve into Companies.

Form Column: A Column is a narrow formation of soldiers in several files (usually about 5). A Battalion in a Column moves quickly at Speed 9, but it inflicts only half damage on a successful attack. Column form is therefore usually employed for marching, but seldom offensively. It takes 6 Rounds to Form a Column.

Form Line: A Line is a wide formation of soldiers in two rows, standing and firing shoulder to shoulder. This is the default formation for battle in the 18^th century. A Battalion in a Line moves slowly at Speed 6, but inflicts full 1d6+150 damage on each attack. It takes 6 Rounds to Form a Line.

Form Square: A Square is a tight and compact formation just 60’ to a side. A Cavalry unit charging a Square loses all advantages (enjoying no bonus to the attack, and doing normal damage). A Battalion in a Square can only move at Speed 3, and inflicts half damage on a successful attack. It takes 10 Rounds to Form a Square.

Form Skirmish Line: A Skirmish Line is an open formation that allows soldiers to hide behind trees and walls, shoot from prone positions, and otherwise take advantage of available cover. A Battalion in a Skirmish Line enjoys a +2 AC, but only inflicts half damage on a successful attack. It takes 6 Rounds to Form a Skirmish Line.

Immune to Single Target Magic: Because an Infantry Battalion is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Battalion can attack multiple targets or units instead of concentrating on a single one. The Battalion makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Set Bayonets Against Charge: An Infantry Battalion that spends a full Round preparing to meet a charging Calvary unit will inflict double damage (1d6 + 150, times 2) on the first Round of Hand-to-Hand fighting against it. The Battalion cannot attack, move, or take any other action while preparing to meet the charging unit, however.

Infantry Battalion Weaknesses

Gun Smoke: After firing its first volley of musket fire, a Battalion in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks, but also enjoys a +2 on its Armor Class. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Battalion spends a full Turn not firing its muskets, or moves 50’ from its current position.

Musket Inaccuracy: Almost all Infantry Battalions are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore muskets. Furthermore, their muskets are completely inaccurate past 450 feet.

INFANTRY COMPANY

60 to 120 soldiers on foot, acting as a unit.
Creature Class: Antagonist
Number Appearing: 1 – 4
Initial Impression: About a hundred armed and uniformed men, marching to the sounds of drums and flute.
Size: Large (100’ x 10’ in Line, 10’ x 100’ in Column, 15’ x 15’ in Square, 100 x 50’ in Skirmish Line)
Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Captain) Intelligence: 9 Wisdom: 9
Strength: 900 Dexterity: 11 Constitution: 9
Speed: 6 in Line, 9 in Column, 3 in Square, 9 in Skirmish Line
Armor Class: None (+2 if wreathed in Gun Smoke, +2 if in Skirmish Line)
Hit Dice: 30
Attacks: 1 (musket volley; or muskets, bayonets, and swords) [½ Damage when in Column, Square or Skirmish Line]
Special Abilities: Dissolve into Plattons, Form Column, Form Line, Form Square, Form Skirmish Line, Immune to Single Target Magic, Multiple Attacks, Set Bayonets Against Charge.
Weaknesses: Gun Smoke, Musket Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)
Level: 10

An 18^th Century Infantry Company consists of three Platoons of soldiers, and is typically commanded by an officer with the title of “Captain”. Five or six Companies typically form a Battalion.

An Infantry Company reduced to 0 Hit Points becomes two Infantry Platoons.

Infantry Company Special Abilities

Dissolve into Platoons: An Infantry Company can be dissolved into 3 Infantry Platoons of 20 to 40 soldiers, each commanded by a Lieutenant. This might be done in order to encircle an enemy, for example.

Form Column: A Column is a narrow formation of soldiers in three files. A Company in a Column moves quickly at Speed 9, but it inflicts only half damage on a successful attack. Column form is therefore usually employed for marching, but seldom offensively. It takes 4 Rounds to Form a Column.

Form Line: A Line is a wide formation of soldiers in two rows, standing and firing shoulder to shoulder. This is the default formation for battle in the 18^th century. A Company in a Line moves slowly at Speed 6, but inflicts full 1d6+30 damage on each attack. It takes 4 Rounds to Form a Line.

Form Square: A Square is a tight and compact formation just 60’ to a side. A Cavalry unit charging a Square loses all advantages (enjoying no bonus to the attack, and doing normal damage). A Company in a Square can only move at Speed 3, and inflicts half damage on a successful attack. It takes 6 Rounds to Form a Square.

Form Skirmish Line: A Skirmish Line is an open formation that allows soldiers to hide behind trees and walls, shoot from prone positions, and otherwise take advantage of available cover. A Company in a Skirmish Line enjoys a +2 AC, but only inflicts half damage on a successful attack. It takes 4 Rounds to Form a Skirmish Line.

Immune to Single Target Magic: Because an Infantry Company is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Company can attack multiple targets or units instead of concentrating on a single one. The Company makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Set Bayonets Against Charge: An Infantry Company that spends a full Round preparing to meet a charging Calvary unit will inflict double damage (1d6 + Damage Bonus, times 2) on the first round of Hand-to-Hand fighting against it. The Company cannot attack, move, or take any other action while preparing to meet the charging unit, however.

Infantry Company Weaknesses

Gun Smoke: After firing its first volley of musket fire, a Company in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks, but also enjoys a +2 on its Armor Class. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Company spends a full Turn not firing its muskets, or moves 50’ from its current position.

Musket Inaccuracy: Almost all Infantry Companies are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore muskets. Furthermore, their muskets are completely inaccurate past 450 feet.

INFANTRY PLATOON

20 to 40 soldiers on foot, acting as a unit.
Creature Class: Antagonist
Number Appearing: 1 or 2
Initial Impression: Approximately thirty armed and uniformed men, marching to the sounds of drums and flute.
Size: Large (35’ x 10’ in Line, 5’ x 30’ in Column, 10’ x 10’ in Square.)
Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Lieutenant) Intelligence: 9 Wisdom: 9
Strength: 300 Dexterity: 11 Constitution: 9
Speed: 6 in Line, 9 in Column, 3 in Square, 9 in Skirmish Line
Armor Class: None (+2 if wreathed in Gun Smoke, +2 if in Skirmish Line)
Hit Dice: 10
Attacks: 1 (musket volley; or muskets, bayonets, and swords) [½ Damage when in Column, Square or Skirmish Line]
Special Abilities: Dissolve into Squads, Form Column, Form Line, Form Square, Form Skirmish Line, Immune to Single Target Magic, Multiple Attacks, Set Bayonets Against Charge.
Weaknesses: Gun Smoke, Musket Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)
Level: 10

An 18^th Century Infantry Platoon consists of twenty to forty soldiers trained to fire their muskets together in a single mass. A Platoon is typically commanded by a Lieutenant. Three Platoons form a Company.

An Infantry Platoon reduced to 0 Hit Points becomes an Infantry Squad.

Infantry Platoon Special Abilities

Dissolve into Squads: An Infantry Company can be dissolved into 2 Infantry Squads of 10 to 20 soldiers, each commanded by a Lieutenant. This might be done in order to encircle an enemy, for example.

Form Column: A Column is a narrow formation of soldiers in two files. A Platoon in a Column moves quickly at Speed 9, but it inflicts only half damage on a successful attack. Column form is therefore usually employed for marching, but seldom offensively. It takes 2 Rounds to Form a Column.

Form Line: A Line is a wide formation of soldiers in two rows, standing and firing shoulder to shoulder. This is the default formation for battle in the 18^th century. A Platoon in a Line moves slowly at Speed 6, but inflicts full 1d6+10 damage on each attack. It takes 2 Rounds to Form a Line.

Form Square: A Square is a tight and compact formation just 60’ to a side. A Cavalry unit charging a Square loses all advantages (enjoying no bonus to the attack, and doing normal damage). A Platoon in a Square can only move at Speed 3, and inflicts half damage on a successful attack. It takes 3 Rounds to Form a Square.

Form Skirmish Line: A Skirmish Line is an open formation that allows soldiers to hide behind trees and walls, shoot from prone positions, and otherwise take advantage of available cover. A Platoon in a Skirmish Line enjoys a +2 AC, but only inflicts half damage on a successful attack. It takes 2 Rounds to Form a Skirmish Line.

Immune to Single Target Magic: Because an Infantry Platoon is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Platoon can attack up to four targets or units instead of concentrating on a single one. The Platoon makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Set Bayonets Against Charge: An Infantry Platoon that spends a full Round preparing to meet a charging Calvary unit will inflict double damage (1d6 + Damage Bonus, times 2) on the first round of Hand-to-Hand fighting against it. The Platoon cannot attack, move, or take any other action while preparing to meet the charging unit, however.

Infantry Platoon Weaknesses

Gun Smoke: After firing its first volley of musket fire, a Platoon in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks, but also enjoys a +2 on its Armor Class. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Company spends a full Turn not firing its muskets, or moves 50’ from its current position.

Musket Inaccuracy: Almost all Infantry Platoon are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore muskets. Furthermore, their muskets are completely inaccurate past 450 feet.

INFANTRY SQUAD

10 to 20 soldiers on foot, acting as a unit.
Creature Class: Antagonist
Number Appearing: 1
Initial Impression: Approximately a dozen armed and uniformed men.
Size: Large (15’ x 10’ in Line, 10’ x 20’ in Column, 8’ x 8’ in Square,)
Perversity: 13
Disposition: Aggressive
Charisma: 11 (or same as commanding Sergeant) Intelligence: 9 Wisdom: 9
Strength: 150 Dexterity: 11 Constitution: 9
Speed: 6 in Line, 9 in Column, 3 in Square, 9 in Skirmish Line
Armor Class: None (+2 if wreathed in Gun Smoke, +2 if in Skirmish Line)
Hit Dice: 6
Attacks: 1 (musket volley; or muskets, bayonets, and swords) [½ Damage when in Column, Square or Skirmish Line]
Special Abilities: Dissolve, Form Column, Form Line, Form Square, Form Skirmish Line, Immune to Single Target Magic, Multiple Attacks, Set Bayonets Against Charge.
Weaknesses: Gun Smoke, Musket Inaccuracy.
Possible Assets (+3 Bonus): Brilliant Commander, Marksmen, Seasoned Troops, Fanatical
Possible Afflictions (-3 Penalty): Poorly Equipped, Incompetent Commander, Sick, Malnourished
Preternatural Powers: None (Unless a Magician or Mad Scientist is part of unit)
Level: 6

A Squad is half a platoon. On the battlefield, one Squad of a Platoon will typically fire a volley of musket fire while the other one reloads. A Squad will rarely be separated from its platoon, but in such a case it will typically be commanded by a Sub-lieutenant or Sergeant.

An Infantry Squad reduced to 0 Hit Points breaks up into 5 or 6 individual survivors.

Infantry Squad Special Abilities

Dissolve Unit: An Infantry Squad can be broken up into its individual soldiers. This might be done in order to encircle an enemy, for example.

Form Column: A Column is a narrow formation of soldiers in two files. A Squad in a Column moves quickly at Speed 9, but it inflicts only half damage on a successful attack. Column form is therefore usually employed for marching, but seldom offensively. It takes 1 Round to Form a Column.

Form Line: A Line is a wide formation of soldiers in two rows, standing and firing shoulder to shoulder. This is the default formation for battle in the 18^th century. A Squad in a Line moves slowly at Speed 6, but inflicts full 1d6+6 damage on each attack. It takes 1 Round to Form a Line.

Form Square: A Square is a tight and compact formation just 60’ to a side. A Cavalry unit charging a Square loses all advantages (enjoying no bonus to the attack, and doing normal damage). A Squad in a Square can only move at Speed 3, and inflicts half damage on a successful attack. It takes 2 Rounds to Form a Square.

Form Skirmish Line: A Skirmish Line is an open formation that allows soldiers to hide behind trees and walls, shoot from prone positions, and otherwise take advantage of available cover. A Squad in a Skirmish Line enjoys a +2 to AC, but only inflicts half damage on a successful attack. It takes 1 Round to Form a Skirmish Line.

Immune to Single Target Magic: Because an Infantry Squad is an aggregate of individuals, it is effectively immune to Preternatural Effects that affect just a single Recipient. Unfortunately, this also means that Curing and Healing effects that only benefit individuals are wasted as well. Effects that target as area (such as Fireball), work normally.

Multiple Attacks: The Squad can attack up to four targets or units instead of concentrating on a single one. The Platoon makes a normal Check for each attack, but its Damage Bonus is reduced as shown below:

Set Bayonets Against Charge: An Infantry Squad that spends a full Round preparing to meet a charging Calvary unit will inflict double damage (1d6 + Damage Bonus, times 2) on the first round of Hand-to-Hand fighting against it. The Squad cannot attack, move, or take any other action while preparing to meet the charging unit, however.

Infantry Squad Weaknesses

Gun Smoke: After firing its first volley of musket fire, a Squad in any formation other than a Skirmish Line suffers a -2 Penalty on all further attacks, but also enjoys a +2 on its Armor Class. This is due to a large cloud of smoke enveloping the unit and obscuring sight. This Gun Smoke will last until the Squad spends a full Turn not firing its muskets, or moves 50’ from its current position.

Musket Inaccuracy: Almost all Infantry Squads are -2 on Attack Checks against targets further than 50’ distant, due to the inaccuracy of their smooth-bore muskets. Furthermore, their muskets are completely inaccurate past 450 feet.

SPECIAL INFANTRY UNITS

Chasseurs : Light infantry that move at Speed 10 in Column and Skirmish Line. They can also Form Line (Speed 7), but cannot Form Square.

Grenadiers: Elite units comprised of the tallest and strongest soldiers, well-trained, and armed with grenades. Grenadier units have Dexterity 13 (rather than 11), and have the Asset “Intimidating”. Once per battle they can lob grenades for double damage at a target or unit 50’ – 60’ distant.

Mamluks: Egyptian mercenaries serving under Napoleon. They are skilled with their scimitars, and attack with a +1 Bonus in Hand-to-Hand fights.

Rangers / Jagers / Riflemen: Light infantry armed with rifles. They move at Speed 10, and do not suffer from the Weakness “Musket Inaccuracy”. They attack only in a Skirmish Line, however. Their guns are accurate to 750’.

Sappers: Units armed with axes, picks, and bombs to destroy obstructions and sabotage enemy fortifications. They have the Special Ability “Damage Structure”, which allows them to inflict full damage against things as reinforced doors, stone walls, buildings, and terrain features.

Skimishers / Voltigeurs: These units fight only in a Skirmish Line (like Rangers). They are specialized for rough terrain, and trained to use cover effectively. They have Dexterity 12 (rather than 11), and are AC 2.

Windbüchse Units: Elite Austrian units armed with cutting-edge Girondoni Air Rifles that use reservoirs of pressurized air rather than gunpowder, and can be reloaded in a second from a built-in 20 shot magazine. Their guns have the same range as muskets, but Windbüchse Units do not suffer the Weaknesses of “Musket Inaccuracy” or “Gun Smoke” (but don’t get the benefit of cover from the smoke either).

About Player Characters in Military Units

Player Characters serving as soldiers in military units are never killed or wounded in combat while part of the unit. If a unit is reduced to 0 Hit Point (and thus broken), any Player Characters are generally assumed to be part of a surviving sub-unit. For example, if a Infantry Battalion is reduced to 0 Hit Points, and thus reduced to three surviving Companies of soldiers, the PCs belong to one of those Companies (unless they indicate otherwise).

Player Characters offering a military unit in combat must make a successful Charisma Check for each command they issue. Failure means the command is either not heard, or ignored that Round. The choking gun smoke, incredible noise, and general panic of the troops makes it extremely difficult to control forces on an 18^th century battlefield, and carefully laid strategies tend to break down quickly unless officers are exceptionally skilled. (One of the reasons Napoleon’s army was so effective was that his officers needed to actually demonstrate ability to get promoted – rather than just purchasing their commissions, as was the rule elsewhere in Europe.)

And now for a villain who perhaps needs no introduction, but a warning. Far from being merely a misunderstood rascal, Sade almost certainly deserved even more time in prison than he actually experienced. Here then is the man who has lent his very name to the term “Sadism”.

Marquis de Sade (October, 1767)

Soldier, Dramatist, and Depravity Personified.

Full Name: Donatien-Alphonse-François, Comte de Sade
Aliases: Captain de Sade (of the Burgundy Cavalry), Count de Mazan
Class: Libertine (Aristocrat)
Level: 6
Appearance/Most Memorable Characteristic: An impeccably dressed man with a roundish face, high forehead, and deep-set blue eyes that stare intensely. His natural hair under his wig is blond.
Age: 27

Charisma: 16 Intelligence: 16 Wisdom: 11
Strength: 9 Dexterity: 13 Constitution: 9
Perversity: 18
Assets: Aristocratic Skills, Talented Writer, Actor, Military Training
Afflictions: Notorious, Obsessed with Numbers, Powerful Enemy (Madame de Montreuil, his mother-in-law), Powerful Enemy (Inspector Marais of the Paris police)

Speed: 9
Hit Points: 36
Attacks: 1 (pistol, sword, knife, rod, or whip)
Damage Bonus: +2

Special Abilities: Disguise (+1) | Dueling (+1/+3) | Fraud (+1) | Sneak (+1) | Seduction (+1)
Weaknesses: Faithless Lover | Fascinated By Innocence

Typical Equipment Carried: Fashionable clothing of gray silk. A muff of white fur. A fine walking stick. A powdered wig. A dress sword (epee). High-heeled shoes. A small case with anise-flavored “pastilles de Richelieu” (candy pellets made with “Spanish Fly”, or powdered blister beetles).
Residence: His maison de plaisance in Arcueil, just south of Paris. The Château de Lacoste in Provence.

Background:

• June 2, 1740: Donatien-Alphonse-François de Sade was born in Paris. His father was Jean-Baptiste-Joseph-Francois, Comte (Count) de Sade. His mother, Marie-Eléonore, Comtesse (Countess) de Sade, was the Princesse de Conde’s lady-in-waiting. The family had persistent money problems, made worse by the Comte’s compulsive gambling.
• 1750: Sade begins his education at the Jesuit-run Lycée Louis-le-Grand in Paris. He was frequently beaten and whipped while there.
• 1752: Sade’s parents separated, and his mother retired to a Carmelite convent.
• 1755: Sade was enrolled in the Régiment du Roi (King’s Regiment) as a sub-lieutenant. His position is unpaid and informal.
• May 17, 1756: Great Britain declared war on France, formally beginning the Seven Years War.
• January 1757: Sade was promoted to the official rank of “Cornet”, with the duty of bearing his infantry regiment’s standard.
• June 23 1758: Sade narrowly escaped being killed at the Battle of Krefeld.
• April 21, 1759: As was standard practice at the time, Sade’s father purchased for his son his own cavalry company, and the rank of Capitaine (Captain). The young Captain de Sade quickly developed a reputation for libertinage that was extreme even by the standards of the French aristocracy.
• March 15, 1763: Sade is discharged from his regiment, due to the end of the Seven Years War.
• May 17, 1763: Sade married Renée-Pélagie de Montreuil, eldest daughter of a wealthy – but only recently ennobled – family.
• October 29, 1763: Sade is imprisoned in the Château de Vincennes, for attempting to induce a prostitute to engage in “sodomy”, mutual flagellation, and the desecration of religious objects.
• November 13, 1763: Sade is freed from prison by order of the King, but confined to the Château d’Echauffour, owned by his wife’s family. The ban on his travel will be lifted in November of 1764.
• July 1764: Sade’s first child with his wife was born, but died shortly thereafter.
• December 1764: Sade was back in Paris, with Inspector Marais keeping track of his activities.
• February 1765: Sade takes the voluptuous actress and dancer Mademoiselle Beauvoisin as a mistress, promising her a stipend of 20 Louis d’Ors a month. She already has at least two other lovers. Sade’s mother in-law quickly learned of the affair, and began conspiring to separate the couple.
• May 9, 1765: Sade took the pregnant Mademoiselle Beauvoisin to his family’s château of Lacoste, arriving by June. He tells people along the way that she is his wife.
• August 20, 1765: Sade and Mademoiselle Beauvoisin returned to Paris.
• January 1766: Sade ended his affair with Mademoiselle Beauvoisin, who immediately rejoined the theater and took new lovers.
• June 1766: Sade visits Château de Lacoste to supervise renovations, including the construction of a theater.
• November 4, 1766: Sade began renting his maison de plaisance (pleasure house) in Arcueil. He became known around the town for bringing young men and women back to the maison for sex and whippings.
• January 24, 1767: Sade’s father died, making him the Comte de Sade. In accordance with the custom among French nobility of the time, Donatien-Alphonse-François assumed the grander-sounding title of “Marquis de Sade”.
• August 27, 1767: Sade’s wife gaves birth to his first surviving legitimate son, Louis-Marie.
• October 1767: Sade resumed residence at Arcueil, and returned to his preferred pastimes.

Personality and Role-Playing Notes

Sade affects a refined and sophisticated demeanor, but he is quick to violence if he feels insulted, or even slightly annoyed. He is an atheist and an iconoclast, yet demands all the privileges of his title. His tastes in food is gourmet, to the point of snobbishness. He requires extreme amounts of stimulation to feel any sexual satisfaction, and is in constant search for the ultimate erotic experience. He enjoys both whipping others, and being whipped himself. He finds the idea of desecration very arousing, and will often incorporate some manner of sacrilege into his sexual escapades. Besides perverse sex, Sade’s other great passion is for the theater – both as as an author, and an actor. He often combine the two pursuits, and the scenes of his sexual crimes are often carefully arranged by him for dramatic effect. The oddest part of his personality, however, is his obsession with numbers. He will inexplicably insist on acts being repeated a specific number of times, or objects being presented to him in specific amounts, without any rational reason ever given.

Marquis de Sade Your Game

Sade is here depicted well before he has written the books that will make him (in)famous across Europe. He is already notorious among the police and prostitutes of Paris, but next year he will land in serious trouble for the imprisonment and torture of an unemployed cloth spinner named Rose Keller at his maison de plaisance.

Player Characters encountering Sade might be policemen working for Inspector Marais, or be private investigators working for the Marquis’ mother-in-law. They could be invited to one of his elaborate dinner parties, particularly if they are also nobility (or part of the Parisian demimonde). Perhaps they have been employed by the family of a young woman who barely survived one of Sade’s depraved soirées. Sade might possess an infamous book detailing the outer limits of pleasure and pain, which the PCs want to either read or steal. Or, maybe Sade seeks such a book, and commissions the PCs to find it. In a less scandalous vein, Player Characters could even be actors hired for a play the Marquis has written.

The Presenter could make Sade an actual member of the “Sodality of the Friends of Crime” (as described in his novel “Juliette”). In that case, the PCs might be either accidentally learn of the group’s existence, or have been actually sent by the Church to neutralize it. However, the PCs might instead be working for a rival group of hedonists who also wish to destroy the dangerous Sodality.

Sade makes a good recurring villain for Sagas that encompass decades. He will be in and out of trouble with the law for all the remaining years of his life – imprisoned for the entire period from from 1777 to 1790, becoming a politician during the Revolutionary period, and being imprisoned again from 1801 to his death in 1814. Sade’s influence could easily extend beyond his prison walls, particularly if the Presenter chooses to include the “Sodality of the Friends of Crime” as a real group.

Deacon Brodie (January, 1788)

The real-life inspiration for “The Strange Case of Dr. Jekyll and Mr. Hyde”.

Full Name: William Brodie
Aliases: Deacon Brodie, Sir Lluyd (to be pronounced “lewd” – used when attending the Cape Club)
Class: Libertine
Level: 9
Appearance/Most Memorable Characteristic: A short, dark complexioned man of slender build, with large bushy eyebrows and sideburns. His eyes are deep-set, and dark brown. He is is very well-dressed, and walks with an arrogant swagger. If encountered during the day, he wears a white-powdered wig.
Age: 46

Charisma: 12 Intelligence: 14 Wisdom: 9
Strength: 11 Dexterity: 18 Constitution: 9
Perversity: 14
Assets: Profession: Wright (fine carpenter, cabinet-maker, and builder). Good Reputation.
Afflictions: Obsessive Gambler. Short.

Speed: 9
Hit Points: 54
Attacks: 1 pistol, walking stick, or pry-bar (+1 Bonus if fighting unaided, +3 if a desired lover is watching)
Damage Bonus: +3

Special Abilities: Disguise (+1) | Dueling (+1/+3) | Fraud (+1) | Sneak (+1) | Seduction (+1)
Weaknesses: Faithless Lover | Fascinated By Innocence

Typical Equipment Carried: A set of fine clothes (white during the day, but black at night). A fine-quality walking stick. A pair of small and concealable “muff” pistols. A pair of loaded dice. A mask of black crepe. A set of lockpicks. A small wooden case filled with putty, for taking impressions of keys. A small ivory whistle. A “dark” lantern, with a hood to obscure the light.
Residence: The mansion at Brodie’s Close, Edinburgh, Scotland.

Background:

• Monday, September 28, 1741: William Brodie was born in Edinburgh. His father was a prosperous wright (fine carpenter and cabinet-maker) and Burgess (recognized property-owning citizen, with the right to vote and freely conduct business).
• February 9th, 1763: William became a Guild Brother of Edinburgh, and was made a Burgess.
• August, 1768: Brodie committed his first major crime – the theft of £800 from the counting-house of Johnston & Smith. He entered the premises by means of a duplicate key, which he made after being employed to do repairs to the building. Two night later, he anonymously returned £225 of the money. William will continue the practice of duplicating his customer’s house keys for the remainder of his life.
• February 25th, 1775: William was admitted as a member of the “Cape Club”, a fun-loving gentleman’s society that met at James Mann’s tavern in Craig’s Close. All member of the club assumed a comical (or ribald) pseudonym at meetings, and William was known as “Sir Lluyd”. Among his fellow Club members was inventor James Watt. William also played dice obsessively at James Clark’s tavern at Fleshmarket Close, and frequented the cock-fighting pits of the city – particularly the one at Michael Henderson’s inn in the Grassmarket.
• 1776: William’s mistress Anne Grant bore him a daughter named Cecil (named for his mother). Anne will eventually give birth to two more of William’s children. Throughout that time Anne remained ignorant of William’s other mistress, Jean Watt – who became mother to another two of his children.
• September, 1781: As newly elected “Deacon” (presiding head) of the Incorporation of Wrights, William also became a member of the Town Council of Edinburgh. He will be a Town Councillor for all his remaining years, except for 1785. The other Councillors employed his services as a wright, and William made duplicate keys of their properties whenever possible.
• June 1, 1782: William’s father Francis died. William inherited the mansion in Brodie’s Close, £10,000, a second house in Old Bank Close, a tenement in Horse Wynd, another tenement in World’s End Close, and a third tenement at Netherbow.
• July 1786: While attending the cockfights at Michael Henderson’s inn, Deacon Brodie met a locksmith named George Smith, a shoemaker named Andrew Ainslie, and John Brown (a convicted thief on the run). The four decided to become buglers together, as soon as Smith recovered from the illness currently afflicting him.
• October 9, 1786: The shop of a Goldsmith near the Council Chambers was burgled by Deacon Brodie, and the now healthy George Smith.
• Winter 1786 – 1787: Poet Robert “Bobbie” Burns moved into lodgings across the street from Deacon Brodie’s home. The two became acquaintances. By this point, rumors were already circulating that Deacon Brodie had somehow helped a local murderer escape from justice. Likewise, William had been seen at least twice by people unable to believe – and convinced they would not be believed – that the bugler in their home was none other than the respected Deacon of the Wrights!
• November 1786: Using duplicate keys, Deacon Brodie and George Smith burgled Davidson McKain’s hardware shop in Bridge Street. They did not obtain much except a finely-bound notebook, which William subsequently gave to Michael Henderson’s daughter.
• December 24, 1786 (Christmas Eve): Around 4 AM, George Smith broke into the jeweler’s shop of John & Andrew Bruce, on Bridge Street. The job had originally been Deacon Brodie’s idea, but William refused to stop playing dice at James Clark’s tavern long enough to join in the crime. George nonetheless carried away a rich haul of watches and jewelry. The next morning, George allowed William to select some stolen items to keep for himself.
• August 16, 1787: Deacon Brodie, George Smith, and Andrew Ainslie robbed the grocery shop of John Carnegie in the port of Leith, making off with a large quantity of tea.
• October 29, 1787: Deacon Brodie, George Smith, Andrew Ainslie, and John Brown broke into the University of Edinburgh, and stole the institution’s ceremonial silver mace.
• Christmastime, 1787: John Brown stole the house key of a shopkeeper named John Tapp, which had been left hanging in the man’s shop. Deacon Brodie made a duplicate, and the original was surreptitiously returned. Brown later revisited John Tapp in his shop, and plied him with a bottle of liquor. While the shopkeeper was distracted, Deacon Brodie and the remainder of his gang used the duplicate key to burgle John Tapp’s home above the shop. Among the times they stole was a miniature portrait secretly kept by John’s Tapp’s wife, evidently of her gentleman lover.

Personality and Role-Playing Notes: Deacon Brodie’s obsessive, thrill-seeking nature is belied by his slow and deliberate manner of speaking. He is a “macaroni” – extremely fashion conscious and vain. Heir to a considerable amount of money and property, he commits crimes to fund his gambling, and for the perverse thrill of being a secret criminal. Above all, Deacon Brodie is a shameless liar who enjoys fooling and manipulating everyone in his life. He maintains two separate households of illegitimate children, with two women who know nothing of each other. By day he is a “pillar of the community”, but spends his nights indulging his sordid whims. He cannot resist a chance to gamble or take a pointless risk – a fact that can be used against him by clever adversaries. He also likes to dupe people into becoming unwitting accomplices, by presenting them with stolen gifts.

Deacon Brodie in Your Game: Deacon Brodie is presented at the point just before he and his gang will commit their disastrous break-in of the General Excise Office for Scotland, in March of 1788 – the crime for which he and George Smith eventually be caught and executed. His secret life reflects the dual nature of Edinburgh itself – simultaneously the rising “Athens of the North”, and an overcrowded criminal playground of thieves and prostitutes. The medical students of Edinburgh demand a steady supply of fresh corpses for dissection, readily supplied by Grave Robbers. The city itself is split into the medieval warren of the Old Town, and the rising New Town of neoclassical buildings. An Affair featuring Deacon Brodie could focus on exploring the motifs of secret identities, duality, hypocrisy, and the disconnect between the ideal and actual.

Player Characters can be drawn into Deacon Brodie’s sphere in many ways. Bandit, Grave Robber, and Libertine PCs might simply find themselves recruited to take part in a crime unrecorded by official history. A Demon Hunter stalking his quarry in the night might run into William and his gang. A True Innocent might be publicly courted by the respectable William Brodie, and thereby be the unwitting recipient of stolen jewelry. If any PCs are property owners in Edinburgh, their houses could be targeted by Deacon Brodie – especially if they also know him socially as a Town Councillor. One of the male PCs may even be Mrs Tapp’s lover, implored by her to find the miniature portrait of himself that was stolen from her home ! In two weeks Deacon Brodie is going to be gambling in James Clark’s tavern at Fleshmarket Close, where an outraged victim of the Deacon’s loaded dice will leave William with a noticeable scar under his right eye. The PCs may be there, and witness the event.

There were sightings of Deacon Brodie after his supposed execution on October 1, 1788. If your Saga is set after that date, the Presenter can explore the possibility that Deacon Brodie wore a steel collar to his hanging, and bribed his would be-executioner to ignore it – or that the Deacon’s dead body was reanimated through Mad Science by that fiendishly cunning Frenchman, Doctor Pierre Degravers! Deacon Brodie had fled Scotland before his trial, and was supposedly caught in Amsterdam. Perhaps the man sent back to Scotland to die wasn’t actually Deacon Brodie at all, but a hapless victim of William’s ultimate scam.

There are three main sets, which are all available on a Pay-What-You-Want basis:

The “Ghastly Affair Location Catalogue – Castle” will help you create a Concentric, Compact, or Courtyard Castle – or a Fortified House.

The “Ghastly Affair Location Catalogue – Mansion” will help you create a grand urban dwelling, such as an English Townhouse, Italian Palazzo, or French Hôtel Particulier.

The “Ghastly Affair Location Catalogue – Estate House” will help you create an English Country House, Italian Villa, French Château, or a similar aristocratic home in the countryside.

And if you want to define your house in extreme detail, I’ve made three supplemental forms to be used as needed:

The “Ghastly Affair Location Catalogue – Interior Room” has lines for recording almost every possible characteristic of an important area inside your house.

The “Ghastly Affair Location Catalogue – Garden Features” lets you define and work out the relative locations of individual features in each garden area of your house’s parkland.

The “Ghastly Affair Location Catalogue – Tower Interior” defines the rooms inside stand-alone towers, of the type that might be found along the outer defensive walls of a medieval Concentric Castle.

What’s a Gothic story without an isolated village filled with dark secrets? The following random tables will help you design small European communities with populations between 100 and 1000 people, of the kind that might be constitute part of an 18^th century aristocrat’s estate. In conjunction with Appendices A, B, C, and D of “A Ghastly Companion to Castles, Mansions, & Estates”, they let you procedurally generate a complete countryside of horrors for PCs to wander at will.

If you would like your villages to be more Jane Austen and less Matthew Lewis, simply ignore Tables 16 and 17.

Table 1a: The Basic Layout of an Inland Village

There will also be 2d4 minor lanes branching off from the main paths(s) towards the surrounding fields.

Table 1b: The Basic Layout of a Maritime Village

There will also be 2d4 minor lanes branching off from the main cluster of buildings, leading inland.

Table 2: The Main Source of Fresh Water

Table 3: Overall Impression of the Village

Table 4: Village Population

Divide the population by 8 to find the total number of cottages. If the village looks partially deserted, divide by 4. If the village is overcrowded, divide by 16.

About 90% of families of most villages will be directly involved in food production of some kind – whether farming or fishing.

In Poland, Russia, Prussia, and the Kingdom of Hungary, a village may be inhabited mostly or wholly by bound serfs.

In the Kingdom of Hungary, up to 10% of the population may be impoverished (or “sandalled”) nobility – barely distinguishable from peasants in their economic circumstances, but possessing the legal rights of aristocracy.

Table 5: Building Density

Modifiers:

-2 for villages in Italy, Spain, Portugal, or Provence.

+4 for villages in Poland and Russia.

A village will be built in the “vernacular” style of its region. There will always be a blacksmith, a grain mill, and a church (the presence of which distinguishes a village from a hamlet). A logging village will also have a saw-mill. Mills may be wind powered (common in colder regions), water-powered, or turned by draft animals. In beer-drinking regions, there often be a malt house (a large building with an open interior, where barley is malted to make beer). In a wine-growing region, a village will have a wine-press instead. In the Italian States, Spain, and southern France, a village may also have its own olive–press. Mills, wine-presses and olive-presses will be usually be owned by the village landlord, who will charge the villagers a fee for its use. Often, there is only a single bread (and roasting) oven in the village, and villagers are likewise charged for its use.

There will be few (if any) shops in a village. Villagers make their own clothing, make most of their own food, repair their own houses, and often make their own beer (or wine). Cutlery and worked iron can be commissioned from the blacksmith. A local woman may be willing to sew (or repair) clothing for visitors. There might be a doctor and/or apothecary in a larger village. Except in those parts of Britain which are already industrializing, most finished goods a village produces (such as cloth or ceramics) are made by its inhabitants in their homes, and then collected by an agent of the landlord (or commissioning merchant). Such commodities may be available for legal purchase – with several days notice. Goods and services that villagers cannot provide themselves must usually be obtained from the market in the nearest town, or from itinerant merchants (who might pass through the village once a week or so, from spring to autumn). Such visiting merchants might work directly for the landlord, or pay him a fee (unless they are Gypsies who visit irregularly, and sell illegally).

Table 5: The Village Church

Also see “Twenty Creepy Churches in Isolated Places” in the supplement “A Ghastly Potpourri”.

Table 6a: Landmark of an Inland Village

Table 6b: Landmark of a Maritime Village

Villages, whether inland or maritime, are often named for their Landmark.

Table 7: Accommodations for Travelers

Modifiers:

+3 to the roll if the village lies directly on a major road.

-3 if village if off a major road.

See Appendix A in “A Ghastly Companion to Castles, Mansions, & Estates” for more information on travelers accommodations in the Ghastly Age.

Table 8a: Famous Produce of an Upland Village

Table8b: Famous Produce of a Lowland Village

Table8c: Most Important Produce of a Maritime Village

Table 9: Class Relations

Examples of ancient feudal obligations that may still be in effect include:

• Having to pay a fine to the landlord for each young woman who gets married.
• Having to labor for free in the landlord’s fields (in addition to the rent one pays for one’s own field).
• Handing over a portion of all crops grown in one’s rented field.
• Unpaid labor on the local roads.
• Unpaid labor at the landlord’s house or castle.
• Having to pay to use the landlord’s mills and presses, and not being able to use any other.
• Having to pay a toll to the landlord each time one crosses a bridge, and not being allowed to use any route that avoids that bridge.

Few (if any) feudal obligations would still be in effect in a British village, while all of the above might be suffered by a French peasant before the Revolution.

Table 10: Disposition of Villagers

Table 11: The Unofficial Village Leader

Remember, this an unofficial leader – as a rule an 18^th century village does not have any formal government of its own, but is administered by the landlord who owns most of the property.

Table 12: The Wealthiest Villager

Table 13: The Village Scapegoat

Table 14: The Most Beloved Villager

Table 15: Current Events

Table 16: The Immediate Danger

Table 17: The Village’s Dark Secret

A Ghastly Companion to Castles, Mansions, & Estates – Rough-Hewn Edition is your complete guide to gaming in the opulent Grand Houses of the Georgian, French Revolutionary, Napoleonic, and Regency eras. Although created especially for use with Ghastly Affair, “The Gothic Game of Romantic Horror”, it’s also an invaluable resource for any game set in the late eighteenth to early nineteenth centuries. Whether your scenarios involve destroying supernatural terrors lurking in crumbling castles, climbing the rungs of the social ladder through opulent townhouses, or unraveling the horrible secrets of the country gentry, this book is an essential reference!

This pre-release “ashcan” version does not include the illustrations, maps, floor-plans, and indices that will be in the full release. You still get over 270 pages of historical information, random tables, and practical advice, including:

• A discussion of the various types of Grand Houses across 18th century Europe.
• An outline of a typical day’s activities in a Castle, Mansion, or Estate House.
• Over 100 tables to create a historically plausible Grand House, along with its inhabitants, gardens, and events – at whatever level of detail you desire.
• A complete guide to the servants and retainers who make aristocratic life possible.
• Tips for running an immersive Gothic “sandbox” that doesn’t force players into a pre-determined plotline.
• A discussion of 18th century coaching inns (and coaches).
• Random encounter tables for an 18th century setting.
• Complete systems for randomly generating plausible ruins, caves, and subterranean crypts.
• Tables for creating sumptuous, historically-accurate feasts.
• Multiple tables for generating dramatic events that occur at dinner, during dances, and on the morning promenade.
• Tables for defining twisted family histories, and the peculiarities of inbred nobles.
• Information on 18th century noble titles – and tables to randomly determine the status of aristocrats.
• Tables for quickly defining the most memorable characteristics of NPCs, and the scandalous desires of your house’s inhabitants.
• Tables for randomly generating ghosts and hauntings – including Restless Houses that hunger to satisfy their own mysterious cravings.
• An extensive system for randomly generating the multitude of paintings that festoon the walls of Grand Houses – and tips on how to make them essential facets of a scenario.
• Tables to create typical names for British country houses, and evocative appellations for castle towers.
• A table of technological marvels that might be found in a late 18th century Grand House.

And all at a price an orphaned scullery maid could afford! But like a Vauxhall Gardens doxy, once it’s better-dressed, the fancy new version will cost a little more!

Contains some mature subject matter. Reader discretion is advised.

HERE’S WHAT’S IN IT:

PLACES ARE CHARACTERS

HOW TO USE THIS BOOK

AN OVERVIEW OF GRAND HOUSES AND ESTATES

REGARDING CASTLES
REGARDING MANSIONS
REGARDING ESTATE HOUSES
CASTLES, MANSIONS, AND ESTATES BY REGION
The British Isles (including Ireland)
France
German States
(Holy Roman Empire, Habsburg Austria, and Kingdom of Prussia)
Kingdom of Hungary (including Transylvania)
Italian States
Poland-Lithuania
Russia
Spain and Portugal
THE RHYTHM OF LIFE IN A GRAND HOUSE
Morning
Afternoon
Evening
Night

BUILDING YOUR GRAND HOUSE

Representational Maps
Schematic Maps
PART I – THE MOST NOTABLE FEATURE
Which Tables to Use:
Table 1a: Most Notable Feature of a Castle or Country Estate
Table 1b: Most Notable Feature of an Urban Mansion
Table 1c: Animals
Table 1d: Architecture
Table 1e: Art Collection
Table 1f: Attractive Residents
Table 1g: Cabinet of Curiosities
Table 1h: Cursed Family
Table 1i: Entertainment
Table 1j: Follies
Table 1k: Food
Table 1L: Games, Sports, and Contests
Table 1m: Gaming Room
Table 1n: Gardens
Table 1O: Haunting
Table 1p: Horrible History
Table 1q: Hunting
Table 1r: Library
Table 1s: Literary or Philosophical Salon
Table 1t: Notable Former Resident
Table 1u: Secret Passages/Rooms
Table 1v: Unsolved Mystery
Table 1w: Water Features
PART II – APPROACHING THE GROUNDS
Which Tables to Use
Table 2a: First Impression of the Greater Estate
Table 2b: Primary Produce of the Greater Estate
Table 3: Barrier of the Enclosed Parkland
Table 4: Parkland Barrier Height
Table 5: Urban Mansion Barrier
Table 6a: Main Gate to the Enclosed Parkland of a Castle or Estate
Table 6b: Front Gate of an Urban Mansion
Table 7: Castle and Estate House Parkland Size
Table 8 Urban Mansion Lot Shape and Size
Table 9: Setback of a Castle or Estate House Within its Parkland
Table 10: Path to a Castle or Estate House from the Parkland Gate
PART III – THE EXTERIOR
Which Tables to Use
Table 11a: The Architectural Style of a Castle
Table 11b: The Architectural Style of an Urban Mansion or Estate House
Table 12: Basic Plan of a Castle
Table 13: Castle Situation
Table 14: The Curtain Walls of a Concentric Castle
Table 15: General Plan of a Castle Keep
Table 16: Size of a Castle Keep
Table 17a: Basic Plan of an Urban Mansion
Table 17b: Basic Plan of an Estate House
Table 18: Size of an Estate House
Table 19: Building Material of a Mansion or Estate House
Table 20: The Height (in Stories) of a Mansion or Estate House
Table 21: The Height of a Story
Table 22: The Roof Style of a Castle, Tower, or Keep
Table 23: The Roof Style of a Mansion or Estate House
Table 24: Keep, Compact Castle, Courtyard Castle, & Fortified House Door
Table 25: The Servants’ Quarters
Table 26a: Castle Gatehouse
Table 26b: Gatehouse Entrance
Table 27: Distinctive Architectural Features of a Mansion or Estate House
Table 28: The Front Courtyard of a Mansion or Estate House
Table 29: The Shape and Size of Castle Towers
Table 30: The Roofing Material of a Mansion or Estate House
Table 31a: The Front Stairs of a Mansion or Estate House
Table 31b: The Portico (or Porte-Cochère) of a Mansion or Estate House
Table 32: Avant-Corps Projecting From the Facade
Table 33: The Main Door of a Mansion or Estate House
PART IV – THE RESIDENTS
Which Tables to Use
Table 34: The Family of the House
Table 35: The Family Wealth
Table 36: Servants and Retainers of the Household
Table 37: Overall Impression of the Servants
Table 38: Pets Living in the House
Table 39: Strange Customs of the Household
Table 40: The Lord and Lady’s Relation
Table 41: The Formal Livery of Male Servants
Table 42: Vermin in the House
Table 43: The Family’s Dark Secret
PART V – THE INTERIOR ROOMS
Which Tables to Use
Table 44a: The Entrance Hall of a Castle
Table 44b: The Entry Room of a Mansion or Estate House
Table 45a: The Main Staircase of a Castle (or Castle Keep)
Table 45b: Stairs in a Tower
Table 45c: The Grand Staircase of a Mansion or Estate House
Table 46: Rooms on the Ground Floor
Table 47: Rooms on the Upper Floors
Table 48: Rooms in the Basement
Table 49: Rooms in the Attic
Table 50: Rooms in the Servants’ Section
Table 51: Distinctive Features of Rooms
Table 52a: Remarkable Floors
Table 52b: Remarkable Walls
Table 52c: Remarkable Ceilings
Table 52d: Remarkable Furniture
Table 52e: Remarkable Images
Table 52f: Remarkable Sculptures
Table 52g: Remarkable Fireplaces
Table 52h: Remarkable Heating Stoves
Table 52i: Remarkable Doors
Table 52j: Remarkable Objects
Table 52k: Remarkable Windows
Table 52L: Remarkable Room Shapes
Table 52m: Remarkable Atmospheres
Table 53a: Ordinary Castle Walls
Table 53b: Ordinary Mansion and Estate House Walls
Table 54: Ordinary Paint Colors
Table 55: Ordinary Wallpapers
Table 56: Ordinary Doors
Table 57: Ordinary Windows in Castles
Table 58a: Ordinary Windows in Mansions and Estate Houses
Table 58b Ordinary Windows in Mansion and Estate House Basements
Table 58c Ordinary Windows in Mansion and Estate House Attics
Table 59: Ordinary Curtains, Drapes, and Wall Hangings
Table 60: Ordinary Ceilings
Table 61: Ordinary Floors
Table 62: Ordinary Heating Sources
Table 63: Ordinary Lighting
Table 64: Number of Doors in a Room
Table 65: Secret Passages, Concealed Doors, and Hidden Areas
Table 67: Beds
Table 68: Furnishings for Bedrooms, Boudoirs, and Cabinets
Table 69: Furnishings for Salons, Drawing Rooms, and Ballrooms
Table 70: Furnishings and Fixtures for Dining Rooms
Table 71: Furnishings and Fixtures for Libraries
Table 72: Furnishings and Fixtures for Kitchens
Table 73: Valuable Serving Ware in the Butlery or Office
Table 74: Personal Items in a Man’s Bedchamber or Cabinet
Table 75: Personal Items in a Woman’s Bedchamber or Boudoir
Table 76: Men’s Clothing (and Items in a Wardrobe)
Table 77: Women’s Clothing (and Items in a Wardrobe)
Table 78: Items in a Cabinet of Curiosities
PART VI – THE PARKLAND AND GARDENS
Which Tables to Use
Table 79: Water Supply of a Castle or Estate House
Table 80: Stables and Carriage House of a Castle or Estate House
Table 81a: Castle and Estate Parkland Areas
Table 81b: Urban Mansion Gardens
Table 82: Deerpark Features
Table 83: English Landscape Garden Features
Table 84: Farmyard or Basse-Cour Features
Table 85: Flower Garden Features
Table 86: French Formal Garden Features
Table 87: Hamlet Features
Table 88: Italian Garden Features
Table 89: Kitchen Garden Features
Table 90: Lawn / Meadow Features
Table 91: Paddock Features
Table 92: Pond and Lake Features
Table 93: Walled Garden Features
Table 94: Wooded Area Features
Table 95: Animals Living in the Parkland
Table 96: Vermin Plaguing the Estate
Table 97: Animals in a Menagerie
PART VII – CURRENT HAPPENINGS
Which Tables to Use
Table 98: Upcoming Scheduled Events
Table 99: Unexpected Events and Catastrophes
Table 100: Mysteries, Disasters, and Secret Intrigues Among the Servants
Table 101a: Castle and Estate Daily Schedule – Morning & Early Afternoon
Table 101b: Castle and Estate Daily Schedule – Later Afternoon
Table 101c: Castle and Estate Daily Schedule – Evening
Table 101d: Castle and Estate Daily Schedule – Night
Table 102a: Urban Mansion Daily Schedule – Morning & Early Afternoon
Table 102b: Urban Mansion Daily Schedule – Later Afternoon
Table 102c: Urban Mansion Daily Schedule – Evening
Table 102d: Urban Mansion Daily Schedule – Night

A GUIDE TO SERVANTS AND RETAINERS

LIFE IN SERVICE
A Servant’s Day
The Clothing of Servants and Retainers
The Wages of Servants and Retainers
A Note on Creating a Servant (or Retainer) Characters for Ghastly Affair
TYPES OF SERVANTS AND RETAINERS
Blacksmith [Grounds Servant]
Butler (Maître d’Hôtel, or Majordomo) [House Servant]
Cavalier Servente [Retainer]
Chaperone [Retainer]
Chaplain (Aumônier) [Retainer]
Coachman [Grounds Servant]
Concierge
Cook (Cuisinière or Cuisinier) [House Servant]
Dance Master [Retainer]
Drawing Master [Retainer]
Dairy Maid [Grounds and House Servant]
Estate Manager (Intendant) [Retainer]
Footman (Laquais) [House Servant]
Forester [Grounds Servant]
Gamekeeper [Grounds Servant]
Gardener [Grounds Servant]
Gardener, Assistant [Grounds Servant]
Governess (Gouvernante) [Retainer]
Groom [Grounds Servant]
Guard [House and Grounds Servants]
Hall Boy [House Servant]
Hall Maid [House Servant]
Handyman or Laborer
[House and Grounds Servant]
Hairdresser [Servant or Retainer]
Hermit [Retainer]
Housekeeper (Gouvernante)
Housemaid [House Servant]
House Steward [Retainer]
Huntsman [Grounds Servant]
Kennel Master [Grounds Servant]
Kitchen Boy (Garçon de Cuisine) [House Servant]
Kitchen Maid [House Servant]
Lady’s Companion
(Demoiselle de Compagnie) [Retainer]
Lady’s Maid (Femme de Chambre) [House Servant]
Laundry Maid [House Servant]
Librarian [Retainer]
Maid-of-all-Work (Servante) [House Servant]
Manservant [House Servant]
Maître d’Hôtel [House Servant]
Mistress [Retainer]
Music Master [Retainer]
Nurse [House Servant]
Nursery Maid [House Servant]
Occultist [Retainer]
Page [House Servant]
Physician [Retainer]
Porter (Concierge, or Suisse)
[House Servant]
Postilion [Grounds Servant]
Reader (Lectrice) [Retainer or Servant]
Scullery Maid [House Servant]
Secretary [Retainer]
Shepherd(ess) or Pastor [Grounds Servant]
Sick Nurse [House Servant]
Still Maid [House Servant]
Swineherd [Grounds Servant]
Underbutler (or Officier) [House Servant]
Under Housemaid [House Servant]
Upper Housemaid [House Servant]
Tutor [Retainer]
Valet [House Servant]
Whipper-in [Grounds Servant]
THE IDEAL (AND ACTUAL) HOUSEHOLD

THE OPEN (OR SANDBOX) SAGA

PREPARING AN OPEN SAGA
Choose a Starting Date
Determine the Starting Region
Create Characters That Have a Plausible Reason to Travel Frequently
Decide on the First Location
Prepare the First Location and Expected Challenge(s)
Ready a Side Location and Challenge(s)
RUNNING AN OPEN SAGA
Starting with the Journey
Spending a Day at the House
Introducing Challenges and Conflicts
When to Conclude an Affair
Down-time in an Open Saga
Sometimes the Journey is More Important than the Destination
Revisiting a House
Using Recurring NPCs and SPCs
Creating Locations on the Fly
Ending an Open Saga

APPENDIX A: OF COACHING INNS (AND COACHES)

HORSES, AND THEIR LIMITATIONS
ABOUT COACHING INNS AND POST HOUSES
Other Accommodations For Travelers
VISITING A COACHING INN
Arrival
Changing Horses
A Meal at the Inn
Sleeping at an Inn
Some Typical Prices at Coaching Inns
FEATURES OF COACHING INNS
Quick Random Characteristics of Inns and Taverns
Features and areas always present at a Coaching Inn:
Additional Features of a Rural Coaching Inn:
Features and Areas Possibly Present at a Coaching Inn:
Typical Staff of a Coaching Inn:
Some Suggested Encounters
for the Common Room of an Inn
Some Notable Events for the Night
NOTES ON CARRIAGES

APPENDIX B: ENCOUNTERS WHILE TRAVELING

Morning, Afternoon, & Evening – On the Road Between Villages
Morning, Afternoon, & Evening – Passing Through a Village
Night – On the Road Between Villages
Night – Passing Through a Village
Table 1: Morning, Afternoon, and Evening Road Encounters
Table 2: Night Road Encounters
Table 3: Obstacles and Curiosities
Table 4: Daylight Village Encounters

APPENDIX C: RUINS AND ABANDONED BUILDINGS

Table 1: The Original Structure
Table 2: Cause of Abandonment
Table 3: Most Notable Feature
Table 4: Completeness of the Structure
Table 5: State of the Roof
Table 6: State of the Interior Walls
Table 7: State of the Doors
Table 8: State of the Furniture
Table 9a: State of the Standing Exterior Walls (Unroofed)
Table 9b: State of the Standing Exterior Walls (Roofed)
Table 10: State of the Windows
Table 11: State of the Floors
Table 12: Vegetation
Table 13: Current Inhabitant(s)

APPENDIX D: CRYPTS, CAVES, AND SUBTERRANEAN PASSAGES

ARTIFICIAL TUNNELS AND VAULTS
Table 1: Original and Current Purpose of Subterranean Tunnels and Chambers
Table 2: Size of a Subterranean Tunnel Complex
Table 3a: Basic Plan of the Complex
Table 3b: The Entrance
Table 4A: Walls of Subterranean Tunnels and Chambers
Table 4B: Floors of Subterranean Tunnels and Chambers
Table 4C: Ceilings of Subterranean Tunnels and Chambers
Table 4D: Air Quality of Subterranean Tunnels and Chambers
Table 5: Notable Features of a Tunnel Section
Table 6: Subterranean Doorways
Table 7: Beyond a Subterranean Doorway
Table 8: Characteristics of Subterranean Chambers
Table 9: Contents of Subterranean Chambers
Table 10: Supports
Table 11: Hazards in Subterranean Tunnels and Chambers
Table 12: Traps in Subterranean Tunnels and Chambers
Table 13: Mysteries and Enigmas
Table 14A: Areas of an Archive or Library
Table 14B: Areas of a Mine
Table 14C: Areas of a Secret Society Chapter-house
Table 14D: Areas of a Cistern
Table 14E: Areas of a Burial Complex
Table 14F: Areas of a Wine Cellar
Table 14G: Areas in a Larder or Root Cellar
Table 14H: Areas of an Armory
Table 14I: Areas of a Treasury Vault
Table 14J: Areas of a Cheese Cave
Table 14K: Areas of an Ice Storage Vault
Table 14L: Areas of a Dungeon
Table 14M: Areas of an Ancient Temple, Now Buried
Table 14N: Areas of a Counterfeiter’s Workshop
Table 14O: Areas of a Satanic Complex
Table 14P: Areas of a Hermitage
Table 14Q: Areas of a Sanctuary for Religious Dissenters
Table 14R: Areas of a Vault for Smuggled Goods
Table 14S: Areas of a Mass Grave for Murder Victims
Table 14T: Areas of an Escape Route
Table 14U: Areas of a Creature’s Prison
Table 14V: Areas of the Hideaway of a Family Shame
Areas of the Hideaway of a Family Shame
Table 14W: Areas of a Bandit’s Hideout
Table 14X: Areas of an Alchemist’s Laboratory
Table 14Y: Areas of a Magician’s Retreat
Table 14Z: Areas of a Mad Scientist’s Laboratory
NATURAL (AND NATURAL-APPEARING) CAVES
Table 15: Plan of a Cave System
Table 16: Shape and Size of a Cave
Table 17: Air Quality Inside a Cave
Table 18: Ordinary Features of Airy Caves
Table 19: Strange and Unusual Features in Airy Caves
Table 20: Passability of a Cave
Table 21: Cave Connections
Supplementary Table: Random Compass Directions

APPENDIX E: RANDOM GENERATION OF MEALS IN GRAND HOUSES

MENUS
Breakfast (French Style)
Breakfast (English Style)
A Luncheon
A Grand Dinner
An Evening Supper
DISHES AND DECORATIONS
Breakfast Beverages
Breakfast Bread(s)
Breakfast Main Dishes
Breakfast Condiments
Soups
Meat Entrées
Fish Entrées
Poultry Entrées
Roasts and Main Dishes
Sauces
Vegetables and Salads
Entremets
Desserts
Table Decorations and Pièce Montées (Normal)
Table Decorations and Pièce Montées (Gothic and Unusual)

APPENDIX F: EVENTS AT DINNER

APPENDIX G: EVENTS AT THE DANCE

APPENDIX H: EVENTS OF THE MORNING PROMENADE

APPENDIX I: RANDOM ARISTOCRATIC TITLES

British Aristocrats
Notes About British Titles
French Aristocrats (Pre-Revolution, or Ancien Régime)
Notes about Ancien Régime titles
French Napoleonic Titles (Conferred from 1808 – 1814)
Notes About Napoleonic Titles
German Aristocrats
Notes About German Titles
Hungarian Aristocrats
Notes about Hungarian Titles
Italian Aristocrats
Notes About Italian Titles
Spanish Aristocrats
Notes about Spanish titles
OF ARISTOCRATIC BASTARDS

APPENDIX J: TWISTED FAMILY HISTORIES

Length of the Family History
Shocking Historical Facts about the Family

APPENDIX K: RELATIONSHIPS IN THE HOUSEHOLD

The Loves and Hates of Male Family Members
The Loves and Hates of Female Family Members
The Consequences of Forbidden Love
The Consequences of Hate
CONCERNING LGBT RELATIONSHIPS IN THE GHASTLY AGE

APPENDIX L: INHERITED PECULIARITIES OF INBRED NOBLE FAMILIES

APPENDIX M: THE MOST MEMORABLE CHARACTERISTICS OF NPCS

Female Aristocrats
Male Aristocrats
Female Servants
Male Servants

APPENDIX N: THE DESIRES OF RESTLESS HOUSES

What the House Wants
How the House Communicates
How the House will Lash Out
Where is the Heart of the House?
How can the House be Put to Rest?

APPENDIX O: RANDOM SPECTRAL ACTIVITY

The Usual Apparition
The Other Apparition(s)
Further Spectral Activity
The Phantom’s Release

APPENDIX P: CURSED AND HAUNTED BEDS

APPENDIX Q: PAINTINGS IN A GRAND HOUSE

Table 1a: Type of Painting
Table 1b: Dimensions of a Painting
Table 1c: Age of a Painting
Table 1d: The Frame of a Painting
Table 2: Male Portrait
Table 3: Female Portrait
Table 4: Interior Group Portrait
Table 5: Exterior Group Portrait
Table 6: Historical Scene
Table 7: Religious Scene
Table 8: Mythological, Legendary, or Literary Scene
Table 9: Genre Scene
Table 10: Landscape
Table 11: Animal Subject
Table 12: Still Life
Table 13: Allegory
Table 14: Enigmatic Emblems
Table 15: Erotic Scene
NOTES ON ART IN YOUR GAME
Regarding Portraits
Regarding Historical Paintings
Regarding Religious Paintings
Regarding Mythological, Legendary, and Literary Painting
Regarding Genre Paintings
Regarding Landscape Paintings
Regarding Animal Paintings
Regarding Still-lifes
Regarding Allegorical and Emblematic Images
Regarding Erotic Paintings

APPENDIX R: RANDOM NAMES FOR BRITISH COUNTRY HOUSES

APPENDIX S: 100 POETIC NAMES FOR TOWERS

APPENDIX T: TECHNOLOGICAL MARVELS IN GRAND HOUSES